The Gibson B. B. King Lucille guitar was built to address the stage requirements of one of Blues music’s most popular artists. Based on the ES-355, it is Semi-hollow to provide resonance and the distinctive rounded tone, but sealed to provide feedback rejection. This example is in good playing condition and is ready for many more years of work.
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I’m a huge fan of the original Egnater Tweaker amp, so I was very pleased to see that Egnater has left the original control layout virtually untouched. Functionally, the Tweaker 40 works like having 2 Tweaker 15 amps stuffed into a single chassis.
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The classic Gretsch 6120 is orange, in various shades of faded. But this 6120 looks so good with the gold hardware and white binding on black, that black just has to be the new orange. Sold at $1699 CAD.
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The Egnater Tweaker is a 15 Watt tube amp, available as a head or 1×12 combo, and it has taken the world by storm. The beauty of this amp lies in its simplicity: a single channel design with Bass, Middle, Treble, Gain, and Volume controls. Look a little closer however, and the Tweaker offers a world of tonal customizations…. all of it useful.
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Here we have the Stelling Sunflower Banjo, another superb example of Geoff Stelling’s superb craftsmanship and creativity. Based on the very successful Stelling Bellflower Banjo , the Stelling Sunflower banjo features AAA-grade flame maple construction rather than Virginia Black Walnut.
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The Fender Robben Ford Model was produced in Japan from 1987 to 1993 and were based on the Esprit Ultra.This example is from near the end of production and features a chambered mahogany, rather than alder body. The next year, production resumed in the US Custom Shop, with the mahogany body but without the chambering. The last models were built in 2002.
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