The Gibson ES-175D first appeared in 1953, as a two P-90 pickup version of the single pickup ES-175 introduced in 1949. In 1957, Gibson added their all-new humbucking pickups to the ES-175, along with much of the rest of their lineup. Over the years, the Gibson ES-175D has become known as just the ES-175.
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This 1965 Edgar Monch Classical Guitar is from just before his Toronto period, one of the last from Munich. It has a clear, commanding voice with a full, rich tone and is suitable for the hands of an advanced or professional guitarist. It has a clear, commanding voice with a full, rich tone. It’s had some top cracks repaired, and is structurally in good condition. Of a similar design to Hauser guitars of the period, It features a spruce top, Indian rosewood back and sides and bridge, an ebony fingerboard with 650mm scale length and 50mm nut width.
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The Taylor 912e is in the top range of Taylor’s rosewood model lines. It’s built with Sitka Spruce top, Indian rosewood for the back and sides, tropical Mahogany for the neck and ebony for the fingerboard and bridge.
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Cleanly built, with a very well balanced tone, this 1993 Marc Beneteau 00 guitar is a good example of his work. It offers good representation throughout the sonic range with full but not overpowering bass, rich midrange, and sparkling highs.
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This 1983 example of the Gibson L-5 CES is in very good condition with a natural finish. There’s very little wear and the gold plating is in quite good shape; it’s possible that the original owner rested a fingertip on the pickguard and the corner of the bridge pickup, and there’s a little corrosion in the plating there.
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