The Mesa Boogie Mark 1 was an unexpectedly significant amplifier. Blending a hot-rodded Fender Bassman circuit and 12 inch JBL speaker into a Fender Princeton chassis and cabinet, Randall Smith created an immediate hit.
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Evolving from one of Leo Fender’s oldest designs, the Fender Deluxe Reverb 1968 “Silverface” introduced updates to the ‘Blackface’ models that had gained Reverb and Vibrato. However, in 1968, not many changes had been made to the Deluxe Reverb to take it away from the ‘Blackface’ circuitry; at this point most changes were cosmetic.
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The Fender 75 amp, designed by Ed Jahns, was built from 1980 to 1982 in Fullerton, California and came in 12 or 15 inch combo or head format.
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This ‘Blackface’ Fender Vibrolux Reverb Amp was built during 1966, is in good, clean condition and recently received minor service by John Fletcher.
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The Fender Twin Reverb Master Volume model was based on the Twin Reverb, launched in 1963, itself based on the Twin Amp that started its evolution with the 15-watt 1952 Twin.
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The Vox AC30/6TB Combo Amp was built from 1994 to 2004, just after Vox ownership passed from Rose Morris to Korg. Here, we’re looking at a good condition Vox AC30/6TB built during 1999 in England, under the ownership of Korg; the amp itself was built by a well-known contractor.
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