Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 45 watts by 1962, and was discontinued in 1963.
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Until the early 1960s, Reverb as an effect was very uncommon on amplfiers. The Fender Reverb unit was introduced in 1961 to provide standalone reverb. Fender began to introduce Reverb on amplifiers in 1963, on the VibroVerb combo. Soon it seemed that all Fender amps had to have it!
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For years, it was very common to see the Fender Super Reverb on stages everywhere. Pushing 45 watts through a 4×10 speaker set, the Super Reverb packaged everything most players needed. These amps project well, and can be loud and clean. The Super Reverb was the 1963 evolution of the Super amp line that first appeared in 1947.
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The Fender Vibrolux Reverb combo amp delivers 35 watts through a pair of 10 inch speakers, and was the smallest 6L6 based Fender amp. While it’s similar to other higher powered amps like the Pro or Super Reverb, its smaller transformers provide earlier breakup. Still, these amps are have a bright, sparkling tone and the two tens are tight and responsive.
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Built from 1996 to present, the Fender Hot Rod DeVille 2×12 combo amp delivers 60 tube watts through a pair of twelve inch speakers. Here we are looking at a Hot Rod DeVille III – the current version is IV.
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Here’s something that brings back memories – a Fender Vibrolux Reverb amp in Blackface, dating to 1965 and with original transformers and Jensen speakers.
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