The Suhr Badger 18 is a relatively small tube amplifier topping out at 18 watts and scaling down to 1 watt for tone at more manageable volumes. This single channel amp features power scaling with power, drive and gain controls, an effects loop on the back, and bass, middle and treble controls. Built in Lake Elsinore California during June 2007, this Suhr Badger 18 is in very clean condition.
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For years, it was very common to see the Fender Super Reverb on stages everywhere. Pushing 45 watts through a 4×10 speaker set, the Super Reverb packaged everything most players needed. These amps project well, and can be loud and clean. The Super Reverb was the 1963 evolution of the Super amp line that first appeared in 1947.
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The Fender Vibrolux Reverb combo amp delivers 35 watts through a pair of 10 inch speakers, and was the smallest 6L6 based Fender amp. While it’s similar to other higher powered amps like the Pro or Super Reverb, its smaller transformers provide earlier breakup. Still, these amps are have a bright, sparkling tone and the two tens are tight and responsive.
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The Ampeg SVT-VR recreates an early 1970s “Blue-Line” SVT head. These breakthrough heads appeared on huge stages were huge volumes were required. Standing for Super Vacuum Tube, the SVT was introduced in 1969 to deliver 300 watts of power to multiple cabinets for the largest venues.
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Built from 1996 to present, the Fender Hot Rod DeVille 2×12 combo amp delivers 60 tube watts through a pair of twelve inch speakers. Here we are looking at a Hot Rod DeVille III – the current version is IV.
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The Friedman Runt 20 tube amp head is a design by Dave Friedman and I’d bet a donut you’ve heard his work even if you don’t recognize his name. Friedman has serviced, modified and built amps and pedalboard in the North Hollywood, California area for some decades. His client list includes players like EVH, Eddie Van Halen, Steve Stevens with Billy Idol and Jerry Cantrell of Alice and Chains.
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