The Hiwatt DR-103 100 Watt amplifier is one the classic English Invasion amplifiers, seen and unquestionably HEARD in the backlines of many huge shows by bands like The Who, Jethro Tull, Pink Floyd, The Moody Blues, and many more.
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The Hiwatt DR504 50 Watt amplifier is one of the classic English Invasion amplifiers originating in the hottest periods of the Volume Wars. Known for large amounts of headroom provided by relatively low gain-preamps and high volume provided by custom transformers, these amps and its 100 watt cousins were found on stages with many of the largest acts of the time.
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One of the most commmon bass amplifiers of the 1950s was the Fender Bassman, and it was also the basis of many guitar amp designs, including the Marshall line.
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The Marshall ‘Bluesbreaker’ model was one of the defining amps of the 1960s, though it was rapidly eclipsed by much higher powered and ever-louder models. The real, original name was the Marshall model 1961, a 30 watt amp with 4×10 inch speakers built for Eric Clapton. That was quickly replaced with a 2×12 version, the model 1962. The 1962 was what Clapton used while in John Mayall’s Bluesbreakers, and that gave the amp its nickname.
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Built from 1969 to 1979 in the Toronto area, the Traynor YGM-3 Guitar Mate Reverb 25 watt 1×12 combo was a very common amp in the Canadian music world.
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Today we are looking at a 65 Amps Lil ELvis, a 12 watt 1×12 inch speaker combo hand-wired tube amp with effects loop, tremolo circuit and power scaling via the Master control.
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