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Larrivee LV19 Special Vine Edition, 2002

 Larrivee LV19 Special Vine Edition, 2002

The Larrivee LV19 Special Vine Edition was built only during 2002, in a run of fifty instruments featuring a spectacular engraved ‘tree of life’ vine inlay. Here we’re looking at a Larrivee LV19 Special Vine Edition, dating to September 10, 2002 and built at the then-new Larrivee shop in Oxnard, California. The LV-19 is now a discontinued model, but the “LV” indicated the classically-derived Larrivee body while the “19” denotes a step up from the “09” trim, adding Rosewood binding.

Used

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G W Barry M Body Cutaway Indian Rosewood, 1995

 G W Barry M Body Cutaway Indian Rosewood, 1995

The G W Barry M Body guitar is a very successful and versatile design based on the classic OM introduced by Martin, with a long scale neck on a 000 sized body. G W Barry has been building for decades starting with years for Jean Larrivee, and his skill at not only building but also voicing is evident in this 23-year old M body cutaway model. This particular guitar was recently rebuilt by Barry, with work including a neck reset with fret dress and a neck-off refinish of the top that included a repair to a top crack.

Used

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PRS Standard Solidbody Tobacco Sunburst, 1987

 PRS Standard Solidbody Tobacco Sunburst, 1987

The PRS Standard appeared in 1987 as an evolutionary step and as a model rename from the 1985 PRS model, with carved top, all Mahogany construction except for the 1o inch radius, 25 inch scale Rosewood fingerboard. Until 1991, Brazilian Rosewood was used for fingerboards on this model. Here we’re looking at a PRS Standard, built during 1987 in Stevensville, Maryland and sporting a dark tobacco sunburst model, which transitions to a darker red on the back and neck.

Used

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Ibanez AAF207 7-String Archtop Electric Sunburst, 1997

  Ibanez AAF207 7-String Archtop Electric Sunburst, 1997

The body of the Ibanez AAF207 7-String is Maple laminate, as is the case for many professional grade cutaway archtop electrics. On the top, the laminate has an outward layer of Spruce, while it’s Flamed Maple for the sides and back. The neck is a three piece design, with outside layers of Mahogany on a Maple center section, and an Ebony fingerboard with three-piece Abalone and Mother of Pearl position markers. The traditional wooden bridge is Ebony, for both cap and base.   

Used

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Eastman E10SS/V Slope Shoulder Dreadnought Antique Varnish

 Eastman E10SS/V Slope Shoulder Dreadnought Antique Varnish

Showing strong influences from the classic American Slope Shouldered dreadnought line, the Eastman E10SS/V uses all solid woods and a very nice Antique Varnish finish. The earliest dreadnought guitars were built by Martin for the Oliver Ditson company during 1916, and used the round or slope shoulder format seen here; When Martin finally put the dreadnought into production in 1931, the upper bouts or shoulders were squared.

Vintage

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Boucher JP Cormier Signature 12-Fret Guitar No.3

 Boucher JP Cormier Signature 12-Fret Guitar No.3

Here is a very special Boucher JP Cormier guitar, and one of only two available to customers before it becomes a regular Signature model. The other two are owned by Boucher, and JP Cormier! Based on the Boucher HG-56 000-12FTB – the 12FTB stands for “12 Frets To Body” – the Boucher JP Cormier model adds a cutaway, an Abalone Rosette, and Koa for the back strip, body binding, and end graft. There are no electronics.

New

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
○ Sales: +416•423•2132
○ Service: +416•423•1554

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