Eastman Strings because we’ve found them to be excellent value. Based on proven designs, Eastman guitars are well built, well finished and deliver tone and playability. Part of the Eastman Strings Traditional series, the Eastman E10OOSS is a small body (00 size) sunburst finished guitar featuring a solid Adirondack Spruce top and solid Mahogany for back, sides and neck, with rosewood for the fingerboard, headplate and bridge. The tuners are open-style with “butter bean” shaped metal buttons.
Adirondack Spruce
This is a treat – from the 2013 Historic Collection, what is now described as the Gibson 1936 Advanced Jumbo in Vintage Sunburst! This model saw a very limited production run of perhaps 50 guitars during 2013. Initially introduced in 1936 and built until 1940, the Gibson Advanced Jumbo is a round or ‘slope’ shouldered dreadnought guitar with Red Spruce – also known as Adirondack Spruce – and Rosewood for the sides and back.
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MORE →The Gibson J-50 first appeared alongside the J-45 in 1952 as a pair of slope or round-shouldered dreadnoughts, the J-50 in Natural and the J-45 Sunburst. These models replaced the J-35, built from 1936 to 1942. The two guitars are structurally very similar, but the natural-finish J-50 received multi-layer top binding and better visual grade Spruce tops as there was no tint to hide imperfections. For this reason, the J-50 carried a higher price.
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MORE →he Gibson J45 Slope Shouldered dreadnought, or Jumbo, was introduced in 1942 to replace the J-35, which had been built since 1936. It has remained in production ever since, and its rich warm tones make it a great match with a singer. Intended as a ‘working man’s guitar’, the Gibson J43 Slope Shouldered model was very similar to the J-35, but for the most part has stiffer, stronger and taller bracing shifted slightly back from the soundhole and a rounded neck profile.
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MORE →The Gibson J-45 Slope Shoulder Dreadnought is one of the classic American guitars, built for the working or aspiring musician. It’s not fancy, but delivers exactly what it needs to. Warm and full sounding, this model has long been a favourite for singer-songwriters. The round upper bouts or shoulders differentiate the design from Martin’s square-shoulder ‘D’line, though the first incarnations of that model also had round shoulders.
This instrument has sold
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