Archtop

Gibson A-Jr. Model A-Style Mandolin Sheraton Brown, 1923

  Gibson A-Jr. Model A-Style Mandolin Sheraton Brown, 1923

This Gibson A-Jr. model A-Style mandolin in Sheraton Brown is now a century old, and still sounds great and plays well. This Gibson A-Jr. model A-Style mandolin in Sheraton Brown is now a century old, and still sounds great and plays well. The Gibson A-Jr. Mandolin, also known as the Gibson Junior, was the entry level for Gibson’s mandolin line from 1919 to 1927, when it became the A-0. Though classed as ‘entry level’, it was and is an excellent instrument.

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Gibson ES-175T Thin Archtop Electric Natural, 1976

  Gibson ES-175T Thin Archtop Electric Natural, 1976

The Gibson ES-175T is based on the classic full bodied ES175, but with sides just over half the thickness. This model appeared in Gibson Catalogs from 1976 to 1979. Before being discontinued, approximately 333 were shipped in the Natural finish seen here, Wine Red, and Sunburst.

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Gibson ES-150DC Double Cutaway Electric Archtop Natural, 1974

  Gibson ES-150DC Double Cutaway Electric Archtop Natural, 1974

Here’s a lovely rarity– an Gibson ES-150DC, a double cutaway, full depth hollow body electric archtop built as late as 1974 at the unionized Kalamazoo plant during the Norlin years. Drawing inspiration from the venerable ES-150 model – introduced in 1936 with the ‘Charlie Christian’ pickup and built until 1956 – the Gibson ES-150DC is unusual. In 1958, the all-new thinline, semi-hollow ES-335 and 345 were introduced and started the final decline of the popular full depth archtop.

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Gibson ES-350T Thinline Archtop Electric Wine Red, 1978

   Gibson ES-350T Thinline Archtop Electric Wine Red, 1978

The Gibson ES-350T (or ES-350TD to the early 1960s) is a thin-bodied, single cutaway fully hollow archtop electric built from 1955 to 1963 with a 23.5 inch scale length, and from 1977 to 1993 with a 25.5 inch scale. It started as the full-bodied, single-cutaway, 25.5 inch scale length single P-90 ES-350 Premiere in 1947. The ES-350 models were used by a number of top artists in the 1950s, most notably Chuck Berry. At introduction in 1955, the Gibson ES-350T shared several things with the also-new Byrdland, particularly the 23.5 inch scale length.

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Gibson Memphis ES Les Paul Light Burst, 2014

  Gibson Memphis ES Les Paul Light Burst, 2014

Introduced in 2014 and built until the plant closed, the Gibson Memphis ES Les Paul was one of the most radical versions of the Les Paul design. Though it looks from a few feet away much like a ‘Standard’ Les Paul, the ES version has a pair of F-holes exposing the mostly hollow, chambered body.

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Gibson Les Paul Classic 1960 Cherry Burst, 1993

Gibson Les Paul Classic 1960 Cherry Burst, 1993

This Gibson Les Paul Classic 1960 Reissue sporting in Cherry Burst finish and ‘1960’ stamped creme pick guard, was built during 1993 at the Nashville plant. The Gibson Les Paul Classic 1960 follows the usual pattern of a carved Maple cap on a Mahogany back, set Mahogany neck and bound Indian Rosewood fingerboard. The carve of the top is a little more pronounced than the slightly flatter R series, and the neck is slimmer.

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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