The Twelfth Fret ~ Since 1977 ~

Chuck Berry

Gibson ES-350T Thinline Short Scale Sunburst, 1962

 Gibson ES-350T Thinline Short Scale Sunburst, 1962

The Gibson ES-350T (or ES-350TD to the early 1960s) is a thin-bodied, single cutaway fully hollow archtop electric built from 1955 to 1963 with a 23.5 inch scale length, and from 1977 to 1993 with a 25.5 inch scale. It started as the full-bodied, single-cutaway, 25.5 inch scale length single P-90 ES-350 Premiere in 1947. These full bodied ES-350 models were used by a number of top artists in the 1950s, most notably Chuck Berry.

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Gibson Byrdland Archtop Electric Sunburst, 2001

  Gibson Byrdland Archtop Electric Sunburst, 2001

The Gibson Byrdland Archtop Electric model has been in production since 1955, available in original sharp Florentine or rounded Venetian cutaway. It is based on a thinline version of the classic L5-CES body, but with a short scale length of 23.5 inches, two inches shorter than the L5.

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Gibson ES-350T Thinline Archtop Electric Wine Red, 1978

   Gibson ES-350T Thinline Archtop Electric Wine Red, 1978

The Gibson ES-350T (or ES-350TD to the early 1960s) is a thin-bodied, single cutaway fully hollow archtop electric built from 1955 to 1963 with a 23.5 inch scale length, and from 1977 to 1993 with a 25.5 inch scale. It started as the full-bodied, single-cutaway, 25.5 inch scale length single P-90 ES-350 Premiere in 1947. The ES-350 models were used by a number of top artists in the 1950s, most notably Chuck Berry. At introduction in 1955, the Gibson ES-350T shared several things with the also-new Byrdland, particularly the 23.5 inch scale length.

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Gibson ES350T Short Scale Archtop Electric Sunburst, 1956

 Gibson ES350T Short Scale Archtop Electric Sunburst, 1956

The thin-bodied, short scale Gibson ES350T appeared in 1955, replacing the full size ES-350 and was much like a plainer version of the Venetian-cutaway Byrdland, which also debuted that year. When launched, the fully hollow ES-350T featured laminate Maple construction largely for feedback resistance and lower production cost, but a number of versions shared the Byrdland’s Spruce top and carved Maple back and sides.

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THE TWELFTH FRET

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