The Twelfth Fret ~ Since 1977 ~

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Eastman SB56 NGD Gold Top Solidbody

 Eastman SB56 NGD Gold Top Solidbody

The new Eastman SB56 NGD Gold Top Solidbody honors the traditional “LP” construction concept, with top quality materials, construction and components including stock Lollar pickups. Built using a one-piece Mahogany body under a solid carved Maple cap, and one-piece Mahogany neck with Ebony for the fingerboard and head plate, the Eastman SB56 is intended to look and act like a mid 1950’s gold top P-90 equipped model, and does a great job of it.

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Eastman SB59 V Amber Solidbody Guitar

Eastman SB59 V Amber Solidbody Guitar

The Eastman SB59 V reflects the classic late 1950s design for a single cutaway, Flamed Maple on Mahogany solidbody with humbucking pickups. While it follows the formula, it’s not a precise copy and Eastman uses their own designs. As a ‘Vintage’ style model, this guitar has undergone an treatment process to simulate the wear of decades of use – except for fretwear.

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Gibson CF100E Tamio Okuda Electric Acoustic, 2014

  Gibson CF100E Tamio Okuda Electric Acoustic, 2014

Here we have another fairly rare guitar, at least for North America – a Gibson CF100E Tamio Okuda model, cutaway with P90 and in very good condition. For those in Japan, Tamio needs no introduction. One of Japan’s most popular guitarist/singer/producer/songwriters, Tamio Okuda has had an almost 30-year career in the Japanese scene. The Gibson Custom Shop CF100E Tamio Okuda  model was built as a limited edition model during 2014, based on Tamio Okuda’s own 1950’s guitar.  The top is solid Sitka Spruce, the back, sides and neck are mahogany (the profile copies Tamio’s guitar) with a rosewood fingerboard. 

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Gibson ES 275 P90 Thinline Archtop Electric, 2017

 Gibson ES 275 P90 Thinline Archtop Electric, 2017

Here’s a very nice, discontinued and rare Gibson ES 275 P90 model from the now-closed Memphis Gibson shop, featuring a fully hollow body and a pair of MHS P90 pickups. Built like a traditional archtop but with a thin body and the appearance of a vintage model, the Gibson ES 275 P90 uses a Maple Laminate body with Mahogany for the body blocks and neck, Indian Rosewood for the fingerboard and pinned bridge base, vintage style 3-diamond tailpiece and knobs, and a Script Gibson logo.

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SOLD Taylor 322ce 12 Fret Grand Concert Guitar Edgeburst

SOLD Taylor 322ce 12 Fret Grand Concert Guitar Edgeburst

The Taylor 322ce 12 fret is a very comfortable small bodied guitar with a dark and earthy vibe. This guitar features a Tropical mahogany top and Tasmanian Blackwood sides and back. Both wood sets have a darker complexion and the shaded edge burst finish along with the black pickguard and body binding really tie the whole package together. The Grand Concert body shape of the Taylor 322ce 12 fret is compact and comfortable but still produces a good amount of volume for a small guitar. The blackwood provides a meaty midrange with a little bit of treble sparkle and the mahogany top smooths out the overall tonal range with some natural compression.

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GW Barry Concert LH CW Left Handed Brazilian Rosewood, 2017

  GW Barry Concert LH CW Left Handed Brazilian Rosewood, 2017

This GW Barry Concert LH Left Handed features a Bearclaw Sitka Spruce top paired with a lovely Brazilian Rosewood set for the sides, back and head plate. This guitar was built during 2017 at GW Barry’s shop in Toronto, Canada. High quality, high end and hand built Left Handed guitars are not very common, so it is a treat to see this fantastic piece from Toronto luthier G W Barry.  Barry has been building for over 35 years, including a five year working apprenticeship with Jean Larrivee.

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THE TWELFTH FRET

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