Next up is a Marc Beneteau Cutaway Dreadnought featuring a Sitka Spruce top paied with Mahogany for the sides, back and neck, built during 1993 at the Beneteau shop in St. Thomas, Ontario.
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Elegantly understated, this long-scale William Laskin Cutaway Classical features a Red Cedar top and African Blackwood for the sides, back, bridge and head plate. Here we’re looking at a Laskin Cutaway Classical, built during 2017 at his shop in Toronto. This is a longer scale instrument at 658mm or 25.9 inches – standard classical length is 650mm or 25.59 inches. The nut is also slightly wider at 53.11mm or 2.091 inches.
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Here we have a Gibson ES-175 figured top, in a classic Tobacco Sunburst, built during mid-2006 at the now-closed Gibson Memphis plant. For 2016, the Figured top was featured as a distinct model, noted on the label, but here this is a standard ES-175 model.
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The Collings SoCo, namded for the South Congress section of Austin, is a single-cut thinline archtop model. This 2014 example features a solid carved Spruce top and solid carved Mahogany back, and sports a stunning ‘Dog Hair’ black finish!
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The Gibson ES-175D Double Pickup Cutaway Archtop was one of the most popular instruments for the working jazz guitarist, from its introduction in 1953 until its recent discontinuation. The 175 was built of Maple laminates, to reduce both feedback and prices. Joe Pass, Kenny Burrell, Joe Diorio, Toots Thielmans, Wes Montgomery, Pat Martino, Herb Ellis, Howard Roberts, Jimmy Raney, Pat Metheny – all at one time in their careers played and recorded with the venerable Gibson ES-175D.
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The National M-14T Thunderbox is the latest version of National’s standard M-14. The newly improved M-14T features a 4″ deep body, improving the low end response and creating a louder, punchier instrument. The National M-14T Thunderbox body is composed of laminate top and back, and solid mahogany sides. This instrument also features a mahogany neck, ebony fretboard and mother-of-pearl position markers.
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