The Eastman E10D follows a traditional dreadnought design featuring an Adirondack spruce top paired with mahogany fir the sides, back and neck. Based on the classic square shoulder dreadnoughts introduced to the mass market in the early 1930s and still the basis of many guitar lines, the Eastman E10D gets pretty much everything right. The Adirondack Spruce top produces a full, rich tone that holds up well when played hard, as might frequently happen in a bluegrass context. There’s plenty of bottom, shimmering top end and everything in between.
Dreadnought
The Gibson Hummingbird is one of the most recognizable guitar models with its square-shoulder dreadnought body and distinctive hand-painted pickguard. Introduced in 1960 to compete with Martin’s square shoulder guitars, the Hummingbird debuted at the second highest price for Gibson acoustics just below the J-200. It has been used by many top artists on countless recordings and stages. The Hummingbird features a Sitka Spruce top paired with tropical Mahogany for the sides, back, body blocks and neck. Indian Rosewood is used for the bridge and bound fingerboard.
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MORE →The new Taylor 317 uses one of the newest body shapes from Taylor guitars, the Grand Pacific. It is a round shoulder dreadnought design, paired with Taylor’s new V class bracing system. This marks a new sound for Taylor guitars inspired by classic acoustic guitar sounds and coupled with the sonic improvements of their V class bracing. The tone is warm with powerful clear bass and round full notes that smoothly blend together to create a unified harmonic voice. These guitars can work exceptionally well as accompaniment to a voice
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MORE →Built from 1936 to 1942, the Gibson J-35 round shoulder model, formally known as the Jumbo 35, replaced the more expensive Jumbo, whose sales were poor due to the ongoing Great Depression. The very first models were named the Gibson Trojan. In 1942, the Jumbo 35 was itself replaced by the very successful J-45 model. The Gibson J-35 round shoulder jumbo and the J-45 have many visible and structural similarities. Both feature a Jumbo body with Spruce top paired with Mahogany for the back, sides, body blocks and neck, with Rosewood for the bridge and fingerboard.
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MORE →Here’s a lovely and unusual piece – a Gibson Advanced Jumbo Historic Collection model, patterned after the original 1936 round shouldered, Rosewood dreadnought. While this looks rather like other Gibson round shoulder models – particularly the venerable J-45 – the Advanced Jumbo has a longer scale length, the X brace is moved closer to the soundhole, and the sides and back are Rosewood instead of Mahogany. Gibson launched the Advanced Jumbo in 1936 but discontinued it in 1939. The original models used a mix of Brazilian and Indian Rosewood – both are documented.
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MORE →Showing strong influences from the classic American Slope Shouldered dreadnought line, the Eastman E10SS/V uses all solid woods and a very nice Antique Varnish finish. The earliest dreadnought guitars were built by Martin for the Oliver Ditson company during 1916, and used the round or slope shoulder format seen here; When Martin finally put the dreadnought into production in 1931, the upper bouts or shoulders were squared.
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