Ebony

National Raw Steel 12 Fret Reso-Phonic Guitar, 2020

  National Raw Steel 12 Fret Reso-Phonic Guitar, 2020

Part of the NRP ‘Raw Series’ line, the National Raw Steel 12 Fret Reso-Phonic guitar delivers a vintage-style look and sound in a modern and more affordable package. Here we’re looking at a National Raw Steel 12 fret model, with a label date of 06/20 for June of 2020. It is in overall good condition, with the wear and oxidation expected for a raw steel finish. It plays well, and has the unmistakable National tone, volume and presence.

Used

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Martin & Coupa Guitar, 1840s

  Martin & Coupa Guitar, 1840s

Here is another rarity – an 1840’s Martin & Coupa guitar, built in Nazareth PA for John Coupa at 385 Broadway (Upstairs!) in New York. It is extraordinary that an instrument like this Martin & Coupa guitar could be in all original and playable condition, complete with its original “coffin” case, over 160 years after its production! To give a little chronological perspective, this instrument would have been delivered to its first owner by stagecoach and riverboat 20 years before the American Civil War.

Vintage

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Russell Lackey LT1 T-Style Cherry, 2022

  Russell Lackey LT1 T-Style Cherry, 2022

Here we have a Russell Lackey LT1 T-Style guitar, built near Toronto by a former craftsperson at The Twelfth Fret Repair shop. The Russell Lackey LT1 shown here is Russ’s interpretation of a great classic. The LT1 strongly resembles the guitar that inspired it, but with a few changes, feeling that the market didn’t need another vintage reissue.

New

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⚌SOLD‼ Schecter C1 Apocalypse Rust Grey, 2017

⚌SOLD‼ Schecter C1 Apocalypse Rust Grey, 2017

Here we have a Schecter C1 Apocalypse hardtail model sporting a Rust Grey finish on a carved top Swamp Ash body. The neck is Maple with Padauk layers plus carbon fiber inserts, and an Ebony fingerboard with 24 Stainless Steel frets! Built in Incheon, South Korea during 2017, this Schecter C1 Apocalypse is a very solid and versatile guitar, oriented towards a heavier sound. As a hard tail, it’s built for stability. The body is Swamp Ash with a carved top, and the neck uses three sections of Maple with two layers of Padauk.

Used

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Stelling Golden Cross Open Back Conversion, 1997

   Stelling Golden Cross Open Back Conversion, 1997

This Stelling Golden Cross Open Back banjo was originally a resonator model but was converted to open-back by Geoff Stelling. As with other Golden Cross banjos, the neck and rim are Maple, with Ebony for the fingerboard; inlays and the truss rod cover are Mother of Pearl. This is a very attractive instrument!

Used

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BC Rich B Double Neck 6/12 Legacy Cherry, 2011

   BC Rich B Double Neck 6/12 Legacy Cherry, 2011

This is something you don’t see every day – a BC Rich B Double neck! This example dates to 2011 and is in great original condition.

The BC Rich B Double neck model is based on the 1977 ‘Rich Bich’ design, but expanded to two necks. This uses a neck-through design, with a combination of Mahogany and Nyatoh and perhaps Walnut separating the core from the ‘wings’. The fingerboards are Ebony with the classic ‘cloud’ BC Rich position markers. To retain the compact size of the 12-string headstock, the octave strings feed through ferrules on the back of the head, and the tuners are in the cutaway at the tail block.

Used

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THE TWELFTH FRET

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