Ebony

Taylor 514ce-N Crossover Cutaway Natural, 2012

 Taylor 514ce-N Crossover Cutaway Natural, 2012

The Taylor 514ce-N, now discontinued, was a ‘crossover’ instrument, aimed at delivering the tone and touch response of nylon strings to the steel string player. Typically, crossover guitars have a cutaway body, narrower crowned fingerboards, pickup and preamp systems, and lower action than concert-style classical models. Some models have ‘thinline’ bodies as the volume produced by the body is exceeded by a supporting sound system.

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Martin D-18 Dreadnought Figured Natural, 2019

   Martin D-18 Dreadnought Figured Natural, 2019

The Martin D-18 Dreadnought is one of the truly iconic guitars and its popularity has also made it one of the most copied. Originally designed to compete with instruments like banjos on unamplified bandstands, its somewhat bass-biased tone makes it ideal as a rhythm instrument, while the Mahogany back and sides add high end sparkle for fingerstyle.

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Taylor 610e Maple Dreadnought, Brown Sugar, 2015

  Taylor 610e Maple Dreadnought, Brown Sugar, 2015

The Taylor 610e starts with a classic Dreadnought body design, but uses Maple for the sides, back and neck. This model was built from 1998 to 2017, and discontinued as the 2018 V-Class instruments were introduced. This Taylor 610e dates to the September 01, 2015 and is in very good, clean and original condition.

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National Reso Lectric Jr. with McIntyre Pickup Black, 2002

 National Reso Lectric Jr. with McIntyre Pickup Black, 2002

The National ResoLectric Jr. was produced for only a short time starting in 2001, and in two major versions.

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Larrivee L30 Classical Guitar Natural, 2000

 Larrivee L30 Classical Guitar Natural, 2000

The Larrivee L30 Classical Guitar Natural, now discontinued, is a straightforward Spruce and Rosewood classical guitar showing Jean Larrivee’s background in this genre. When learning guitar building, Larrivee spent a good amount of time with Edgar Monch during Monch’s time in Toronto, and learned much about guitar construction from him.

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Taylor 414ce-R Grand Auditorium Rosewood Natural, 2017

   Taylor 414ce-R Grand Auditorium Rosewood Natural, 2017

The Taylor 414ce-R Grand Auditorium Rosewood was launched at the 2016 Summer NAMM show, adding a Rosewood option in place of Ovangkol. Rosewood delivers a somewhat warmer and punchier tone. The design is very versatile, with plenty of volume and projection, suitable for everything from fingerstyle to flatpicking. The factory ES2 pickup system makes it ready to plug in should amplification be required.

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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