Here we have a Huss & Dalton L-13 Standard in Rosewood, based on the classic Nick Lucas models made by Gibson from 1927 to 1938. The L-13 is part of the Huss & Dalton Crossroads line. Featuring a Sitka Spruce top and here with Indian Rosewood for the sides and back, the Huss & Dalton L-13 Standard is also available with Mahogany for the sides and back, while the L-13 Deluxe uses figured Maple and sunburst on the back as well as the top.
Ebony
The Ibanez Musician MC500 appeared as Ibanez hit its stride and moved away from straight copies of US models, and was built from late 1977 as a 1978 model to 1980. The Musician series used a multi-piece, neck-through design and active electronics, all quite possibly influenced by the Alembic instruments of the day. Overall, the goal was to provide maximum sustain, stability and tonal versatility in a professional grade package.
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MORE →The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price. These were top of the line for acoustic archtop guitars, and were played by many top artists – Merle Travis being one.
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MORE →It’s harder for Left Handed folks to find top quality instruments, but this Collings MT2L, Varnish Finish, A-Style mandolin dating to 2012 fits the bill perfectly! Built with the same incredible attention to detail, this Left-Handed Collings MT2L A-Style mandolin features a Red Spruce – also called ‘Adirondack’ Spruce – top, paired with a book matched and spectacularly figured carved Maple back, with the same Flamed Maple for the sides and neck.
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MORE →Designed to express class and quality, the Gibson Les Paul Custom Ebony Black with gold plated appointments appeared in 1954 and has been top of the range since. From introduction until the single-cutaway Les Paul design was dropped in 1961, the Custom lacked the Maple cap the other carved-top models had and was all-Mahogany. When the design was re-introduced in 1968 and to the present day, that changed and the basic construction has been the same as for the other models.
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MORE →Based on the very popular L-1 model launched in 1926, the Gibson L1 Robert Johnson reproduces the look, feel and most importantly the sound of a guitar used by the legendary blues guitarist. The Gibson L1 was introduced in 1902 and built as an arched top, round soundhole model until 1925. In 1926, it was re-introduced as a flat top, along with the very similar L-0 Mahogany top model. The L-1 was built until 1937, while the L-0 was dropped in 1933 and then re-introduced in 1937 and built until 1942 (but with a Spruce top). Both models were replaced by the J-45.
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