Ebony

Larrivee OM09 Indian Rosewood Natural, 2001

 Larrivee OM09 Indian Rosewood Natural, 2001

The Larrivée OM09 is based on the classic Orchestra Model guitars that first appeared in the opening days of the 1930’s as banjo players migrated to guitar but found they needed access to more frets. These models provide a well-balanced tonal representation throughout the harmonic range with plenty of volume, making them ideal for fingerstyles or strumming. This Larrivée OM09 was built during 2001 at the Larrivée shop in Oxnard, California. It’s in overall good condition with a few small dents on the top edge of the headstock, and a lacquer crack along the center seam below the bridge.

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Boucher BG152 Bluegrass Goose Dreadnought

Boucher BG152 Bluegrass Goose Dreadnought

Built in Berthier-sur-Mer Quebec, the Boucher BG152 is a rich, lively and loud dreadnought from the Boucher Bluegrass Goose series of guitars. This impressive dreadnought pairs an AAAA Adirondack Red Spruce top personally selected by Robin Boucher with a lovely set of Madagascar Rosewood.  Red Spruce has a high ceiling for tone production which means you can drive a lot of energy with a flat pick or your fingers to produce lots of volume and tone.

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Gretsch Tennessee Rose G6119FT Thin Body Archtop Walnut, 2006

  Gretsch Tennessee Rose G6119FT Thin Body Archtop Walnut, 2006

Based on the 1962 Chet Atkins Tennessean, the Gretsch Tennessee Rose G6119 was introduced in 1995, but wasn’t a ‘Chet Atkins’ model until 2007 when Gretsch re-acquired rights to the Atkins name. Consequently, the pickguard on this example has only the words ‘Tennessee Rose’ and the Gretsch logo. The 6119 Tennessean appeared in 1958 as a full size, single pickup archtop. In 1962, it was drastically revised with a new, thin body using the sealed ‘ElectroTone’ concept for feedback resistance. This design has faux F-holes, either painted or decals. It bore a pair of either Filter ‘Tron or HiLo ‘Tron pickups and the model was discontinued in 1980. Gretsch, then owned by Baldwin, folded in 1983 with Baldwin’s bankruptcy.

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Takamine Toby Keith EF250TK Sunburst, 2016

 Takamine Toby Keith EF250TK Sunburst, 2016

Here is a stunning jumbo body guitar ideal for stage performance – a Takamine Toby Keith, based on the EF250 he played for many years and is now a signature model.  Drawing from classic Jumbo American guitars like the J-200 and F-500, the Takamine Toby Keith pairs a solid Sitka Spruce top with Flamed Maple for the cutaway, 17 inch wide body. The neck is Maple with Ebony used for the bound fingerboard, and Rosewood for the top-loading bridge. The inlays are Mother of Pearl and Abalone, with an Abalone ring at the rosette.

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Gibson Howard Roberts Fusion III Black, 1997

 Gibson Howard Roberts Fusion III Black, 1997

The Gibson Howard Roberts Fusion III, the last iteration of the Howard Roberts models, appeared in 1991 and was built until the model was discontinued around 2010, though it went out of production between 2003 and 2005. The first Fusion models appeared in 1979. Howard Roberts was a prominent American jazz guitarist, session player and teacher, born in 1929 and died in 1992. As part of the key LA session crowd The Wrecking Crew, Roberts played on many recordings, TV show and movie scores.

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Martin Custom D42 Madagascar Rosewood Amberburst, 2006

Martin Custom D42 Madagascar Rosewood Amberburst, 2006

The Martin Custom line offers, as the name suggests, a wide range of options. This is a Martin Custom with  mostly D42 style appointments.  A D-45 style ‘Alternative Torch’ headstock inlay is used in place of the normal ‘C F Martin’ logo.  This particular guitar was built as part of  Martin’s 2006 ‘1833’ Series. 

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THE TWELFTH FRET

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