The National Style 1.5 Tricone Resophonic guitar is patterned after the original instrument made in 1927 with a functional Art Deco industrial design. It is made of brass, highly polished and plated with either bright nickel plating or a custom Antique Brass treatment! The round, mahogany neck has an ivoroid bound ebony fingerboard. The headstock has the National logo inlayed in mother-of-pearl and vintage-style tuners! To create the National Style 1.5 Tricone, a touch of elegance is added to the Style 1, with hand-engraved double-cut lines encasing a wiggle stroke around the front, side, and back edges of the nickel-plated brass body!
Ebony
The Eastman MD605 represents great value in a quality A-Style mandolin, built with solid woods and wrapped in a gloss nitrocellulose lacquer finish. Introduced in 1905 and based on Orville Gibson’s patent merging violin family techniques with guitar and mandolin construction, the A-Style mandolin has a distinctive teardrop shape and a carved top and back, with either F holes or an oval hole; the F hole provides somewhat more top end. Compared to the F style often seen in bluegrass bands, the A Style body shape has more pronounced midrange and fundamental, and a less percussive attack.
The Collings MT2 A Style is one of the finest production mandolins available, using top shelf materials and very high level build quality. Built using traditional mixtures of a Red (Adirondack) Spruce top, Eastern Flame Maple back, sides and neck, with Ebony for the fingerboard and bridge, the Collings MT2 A Style is wrapped in an impeccable nitrocellulose lacquer finish. Collings does some of the best finishing around. The body of this example is bound with faux-tortoise plastic – Ivoroid is used on some versions – with black/white side and top purfling.
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MORE →The Beard Road-O-Phonic lap steel first appeared around 2006 and is designed and built in Hagerstown, Maryland at Paul Beard’s shop. The Road-O-Phonic has evolved over several versions and the second version seen here features a Maple body and neck with Flame Maple veneer for the top and back; the fingerboard is Ebony with a 23 inch scale length. The current version 3 uses a 25 inch scale length.
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MORE →Here is a rarity for North America – a Julian Mario Rabaza Crossover guitar dating to 1982 and built at Rabaza’s shop in Buenos Aires, Argentina. Julian Mario Rabaza has been well known South American circles for decades, and mostly builds Spanish style Classical and Flamenco guitars. This example is what we would now call a ‘Crossover’ model, meaning that it has a couple of adaptations for those playing other styles – Tango and Latin Jazz for example.
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MORE →Working guitarists have always been a focus of guitar makers, and the Gibson Tal Farlow represents the involvement of the famous Jazz guitarist Tal Farlow with Gibson. Tal Farlow lived from 1921 to 1998 and was well known for his chord melody playing, which he developed at an early age. He went on to play with many jazz greats including Charles Mingus and Artie Shaw. His large, fast hands earned him the nickname ‘the Octopus’.
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