Flamenco

Eduardo Ferrer Flamenco Blanca Guitar, 1970

  Eduardo Ferrer Flamenco Blanca Guitar, 1970

Flamenco has very deep roots in Spanish culture and there have been many influential Spanish builders of both and Flamenco and Classical guitars. There are two basic types of Flamenco models, Blanca and Negra – light and dark. Flamenco Blanca guitars are typically built using Cypress for the back and sides, a light, brilliant wood while Flamenco Negra instruments often use Palisandro, more commonly known as Rosewood.

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Jean Larrivee Classical Guitar, 1974

 Jean Larrivee Classical Guitar, 1974

Here we have a Jean Larrivee classical guitar with Cedar top and Indian Rosewood back and sides, built during 1975 at the Toronto shop. At this time, Larrivee and others were working with the late Edgar Monch, who was still in Toronto and the influences are visible on this Hauser style guitar. Jean Larrivee has been one of the more influential Canadian guitar builders. Building his first instruments in his home in Toronto during the late 1960’s, Larrivee worked with and learned from Monch. As his interest, skill and collection of tools and wood increased, he moved to ever-larger quarters and attracted his own trainees.

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Jose Romero Flamenco Blanca Guitar, 1995

  Jose Romero Flamenco Blanca Guitar, 1995

This Jose Romero Flamenco Blanca guitar was built during 1995 at Romero’s shop in Madrid in the pattern of traditional Flamenco instruments. Jose Romero was born in Baeza (Jaén) during 1954 but his family soon moved to Madrid, and aside from his compulsory military service, has lived and worked there since. In 1968 Romero enrolled as an apprentice with José Ramírez.

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Kohno Model 20 Classical Guitar Spruce and Brazilian Rosewood, 1975

 Kohno Model 20 Classical Guitar Spruce and Brazilian Rosewood, 1975

The Kohno Model 20 was one of several professional grade classical guitars built by the late Masaru Kohno, survived by his nephew Masaki Sakurai, who runs the Kohno / Sakurai shop in Tokyo, Japan. Masaru Kohno was born during 1926 in Mito City, and graduated from Tokyo College of Arts and Crafts in 1948. Having developed a strong interest in guitar construction, in 1960 he travelled to Spain and apprenticed at the workshop of Arcángel Fernández for six months.

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Jose Romero Flamenco Negra Guitar, 1996

 Jose Romero Flamenco Negra Guitar, 1996

This Jose Romero Flamenco Negra example is signed and dated to 1996, and combines a Spruce top with Indian Rosewood for the back sides headplate and bridge. The Rosewood set used for the sides and back has a more pronounced figure due to being flat-sawn rather than quarter-sawn. As traditional on this type of instrument, the neck is Cedro – Spanish Cedar – with Ebony for the fingerboard.

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William Laskin Classical Guitar, 2003

 William Laskin Classical Guitar, 2003

This William Laskin classical guitar with Laskin armrest was built in Toronto during 2003 with Sitka Spruce and Indian Rosewood. This custom ordered guitar features Celtic Knot decorations on the headstock, fifth and seventh frets, using engraved Copper, Marcasite, and Mother of Pearl. In addition to the Knot markings, there’s a discreetly small copper triangle inlaid on the edge of the fingerboard marking the seventh fret.

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THE TWELFTH FRET

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