Florentine

Gibson ES-135H Thinline Ebony, 2000

 Gibson ES-135H Thinline Ebony, 2000

The Gibson ES-135H Thinline was the ‘Humbucker’ equipped version of the ES-135, a single-cut Semi-Hollow Archtop built in Memphis from 1991 to 2004. Many of these models used P-100 pickups – a stacked humbucker with the outline of a P-90. Some models used a stop tailpiece, others as seen here a standard Tune-O-Matic and Trapeze tailpiece combination. The tuners used here are Grover Roto-Matics with metal keystone buttons.

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Gibson CS Les Paul Florentine Vintage Sunburst, 1997

 Gibson CS Les Paul Florentine Vintage Sunburst, 1997

Built from 1995 to 1999 and eventually becoming the ES Les Paul, the Gibson CS Les Paul Florentine blends features from the Les Paul custom into a heavily chambered, dual F-hole model. From a distance, the Gibson CS Les Paul Florentine looks like a nicely appointed Les Paul Custom. Closer examination shows the two F-holes – though some few variants, like the Korina Florentine had solid tops – indicating that the construction is based on a heavily routed Mahogany back with a Maple top.

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Gibson ES-135 P100 Tobacco Burst, 1996

   Gibson ES-135 P100 Tobacco Burst, 1996

Built from 1991 to 2003 in Memphis, the Gibson ES-135 P100 was a single florentine cutaway, semi-hollow thinline with a pair of P100 hum-cancelling pickups. From 1956 to 1958, the ES-135 existed as a renamed ES-130, a full-depth, single-cutaway archtop with one or two P-90 pickups. The ES-130 was introduced in 1954, renamed in 1956 to the ES-135, and discontinued in 1958.

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Gibson ES-295 Archtop Electric Double Gold, 1953

  Gibson ES-295 Archtop Electric Double Gold, 1953

This is a wonderful rarity. Built during 1953, this is an early Gibson ES-295 in good, clean and largely original condition, showing some honest finish wear and tear from real use over the decades. It’s easy to confuse the Gibson ES-295 with the classic ES-175, and there’s a good reason – they are the same guitar, but the ES-295 has a double gold finish and when introduced, two pickups instead of one.

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Gibson Byrdland Thinline Archtop Electric Natural, 1976

 Gibson Byrdland Thinline Archtop Electric Natural, 1976

The Gibson Byrdland appeared in 1955 as a custom order for Billy Byrd and Hank Garland. These two were top Nashville session guitarists who wanted full archtop tone, but in a more comfortable thinner body and a shorter scale length – 23.5 inches, rather than Gibson’s standard 24.75 inches – to allow easier access to complex chords fingerings. The Byrdland was the first of Gibson’s thinline archtop guitars, with many more to follow. The design was so successful that it was quickly promoted to production status.

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Gibson Custom Le Grand Archtop Electric Natural, 2008

 Gibson Custom Le Grand Archtop Electric Natural, 2008

Here is a rare beauty – a Gibson Custom Le Grand archtop electric model from 2008, the successor to the classic Johnny Smith model built from 1961 to 1989. The Le Grand made its debut in 1993 and while it hasn’t appeared on Gibson’s website or catalog since around 2010, is still available on special order. The ‘stock’ finish is a Vintage Sunburst, with the Natural finish seen here as an extra-cost option. Always intended for the serious professional guitarist and never in mass production, the Gibson Custom Le Grand features a 17 inch wide body with carved, solid Sitka Spruce top, carved solid and highly figured Maple back and figured maple sides.

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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