The Huss & Dalton TDR is, as the name breaks down, a Traditional Dreadnought design with Rosewood for the sides, back, and head plate. The Dreadnought design first appeared during 1916, built by C F Martin for the Oliver Ditson company. The design was not popular at the time but when Martin re-introduced it in 1931, times had changed. These models went on to great success and are now one of the handful of standard guitar body shapes, built by almost everyone and played by countless guitarists.
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The Taylor 322ce 12 fret is a very comfortable small bodied guitar with a dark and earthy vibe. This guitar features a Tropical mahogany top and Tasmanian Blackwood sides and back. Both wood sets have a darker complexion and the shaded edge burst finish along with the black pickguard and body binding really tie the whole package together. The Grand Concert body shape of the Taylor 322ce 12 fret is compact and comfortable but still produces a good amount of volume for a small guitar. The blackwood provides a meaty midrange with a little bit of treble sparkle and the mahogany top smooths out the overall tonal range with some natural compression.
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MORE →The Gretsch G8128TCG, now superseded by the G6128T-57 Vintage Select, reproduces the 1957 Duo Jet in Cadillac Green and with TV Jones T-Armond pickups. These guitars vividly evoke the sounds of the 50’s Gretsch models, with plenty of twang and power. We have only one of these.
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MORE →The Beard Road-O-Phonic lap steel first appeared around 2006 and is designed and built in Hagerstown, Maryland at Paul Beard’s shop. The Road-O-Phonic has evolved over several versions and the second version seen here features a Maple body and neck with Flame Maple veneer for the top and back; the fingerboard is Ebony with a 23 inch scale length. The current version 3 uses a 25 inch scale length.
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MORE →Here is a rarity for North America – a Julian Mario Rabaza Crossover guitar dating to 1982 and built at Rabaza’s shop in Buenos Aires, Argentina. Julian Mario Rabaza has been well known South American circles for decades, and mostly builds Spanish style Classical and Flamenco guitars. This example is what we would now call a ‘Crossover’ model, meaning that it has a couple of adaptations for those playing other styles – Tango and Latin Jazz for example.
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