Indian Rosewood

Gretsch Country Club G6196TCG Cadillac Green, 2005

 Gretsch Country Club G6196TCG Cadillac Green, 2005

The Gretsch Country Club, model G619x, appeared in 1954 as a rebrand of the ‘Electro II’, itself built from 1951 to 1953. There were three ‘619x’ versions and the ‘x’ indicated the colour. 6192 was sunburst, 6193 natural or Blonde and 6196 the Cadillac Green finish seen here. Intended to sit at the top of the Gretsch line, this model aimed to convert ‘classic’ archtop players so the top was carved Spruce, rather than laminated Maple, often used for feedback rejection.

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Jose Romero Flamenco Blanca Guitar, 1995

  Jose Romero Flamenco Blanca Guitar, 1995

This Jose Romero Flamenco Blanca guitar was built during 1995 at Romero’s shop in Madrid in the pattern of traditional Flamenco instruments. Jose Romero was born in Baeza (Jaén) during 1954 but his family soon moved to Madrid, and aside from his compulsory military service, has lived and worked there since. In 1968 Romero enrolled as an apprentice with José Ramírez.

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Hagstrom Swede Mahogany, 1973

  Hagstrom Swede Mahogany, 1973

Built from 1970 to 1982 at the Alvdalen, Sweden plant, the Hagstrom Swede was a major step for the Swedish builder and this Mahogany example illustrates how good these guitars were. Before evolving into the 1979 set-neck Super Swede, the Swede used a bolt-on design and did not have a zero fret. This example dates to 1973 and was 44th in its production batch.

Vintage

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Santa Cruz OM-PW Pre War Style Guitar, 2004

  Santa Cruz OM-PW Pre War Style Guitar, 2004

Following in the traditions of American guitar building, the Santa Cruz OM-PW – the PW stands for ‘Pre War’ – delivers vintage style tone and playability. The OM-PW design dates back to the end of the 1920’s when the Martin Guitar Company introduced the Orchestra Model or OM. Very similar to the ‘OOO’ model, the key difference is in the scale length. The OM scale is over 25 inches, usually the same as the Dreadnought models, while the ‘OOO’ scale length is typically around 24.9 inches. Otherwise the bodies are the same.

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Gibson Les Paul R9 ‘Real Feel’ 16 of 25, Burst 2003

 Gibson Les Paul R9 'Real Feel' 16 of 25, Burst 2003

This Gibson Les Paul R9 ‘Real Feel’ very rare instrument is in very good condition, with light wear. As these replicate the original, relatively thin nitrocellulose lacquer finishes, there is an amount of natural, expected finish sinking into the pores of the Mahogany back and neck, and light belt buckle or jean-rivet marking in an expected area on the back.

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THE TWELFTH FRET

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