The Martin D-35 is one of the mainstays of the Dreadnought Acoustic lineup, delivering a strong, full bass response for bluegrass and folk styles.
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The Eastman E20D is the less decorated cousin to the Eastman E40D we posted recently, but even without the decorations it’s an impressive and classy guitar.
This example was built at the Eastman plant in China during 2005 and has been both played in and well looked after. It’s set up for bluegrass use, meaning that the action is a little higher for spirited playing, competing with other percussively loud instruments like banjos and mandolins.
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Taking design cues from the Martin D-42 dreadnought, the Eastman E40D shows the lines and visual features of the most successful guitars in a natural or sunburst top dreadnought. It’s well decorated, but not overly so and makes for a great sounding, tasteful and classy instrument.
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Dating to 1978 and built at the Jean Larrivee’s shop in Victoria, BC following his move from Toronto, Ontario, this Larrivee L-09 Steel String Acoustic Guitar is in overall good condition with moderate play wear. This version uses a Sitka Spruce top with Indian Rosewood back, sides and headplate, mahogany neck and ebony for the bridge and grained-ivoroid bound fingerboard. Tuners are Grover Imperial models, and the nut and saddle are bone. The scale length is 25.5 inches 04 647.7mm and the nut width is 1.73 inches or 44mm.
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The William Laskin 12-string seen here is a wonderful guitar, with an interesting history and a well established provenance demonstrating its participation in folk music performance. Commissioned in 1982 from William Laskin by Garnet Rogers, it was also used by Stan Rogers for several months until his untimely death in June 1983. Since then it has been used in multiple tours, performance and recordings.
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The Webber Jumbo body is an elegant guitar, combining the upper bout shape of an OM Style guitar with a large, circular lower bout. This tight-waisted guitar is smaller at 16 inches across than most conventional jumbo designs. As it is also slightly shallower, the body fits comfortably under the player’s arm. It delivers a big, well defined bass response with a strong mid range, making this guitar a great choice for Jazz comping or rhythm accompaniment.
Dating to 2007, this Webber Jumbo includes the Soft Cutaway option, which is a bit shorter or ‘softer’ than most traditional Venetian cutaways. In very good condition with very little wear, it is built with a Sitka Spruce top and Indian Rosewood for the back and sides.
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