It’s rare to see a a Terry McInturff Empress available for sale, like this one in Translucent Green finish, built during 2009 with an AA Quilted Maple top.
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This Jerry Farrell Classical guitar, No.57, starts with the Hauser style and a traditional Spanish construction pattern, with a Red Cedar top and Indian Rosewood for the sides, back, and bridge. The neck is Cedrilla or Spanish Cedar as used on many Spanish built classical and flamenco guitars, and the slightly crowned fingerboard is Ebony.
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The Fender ’59 P-Bass Closet Classic was built as a part of the Custom Shop’s ‘Time Machine’ series, which includes ‘bought and stored’ to ‘heavily reliced’ replicas.
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Seen here is an attractive Gibson Les Paul Standard in Honeyburst, in very good, clean condition and dated to January 2020 at Nashville. Built in the manner of a 1960 model, this Gibson Les Paul Standard uses an AA grade, bookmatched and carved Flame Maple top on a Mahogany back, with no weight relief. The 60’s Slim Taper neck is Mahogany with an Indian Rosewood fingerboard and acrylic trapezoidal position markers.
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This Gibson Flying V Reissue was built during 2005 at Nashville, and combines features from at least two major versions of the Flying V. When introduced in 1958 for its very short production run – 81 that year and 17 in 1959 – the Flying V was built of Korina (a Gibson name for African Limba wood) with a Rosewood fingerboard, and a string-through body with a V-shaped plate on the front.
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Now discontinued, this Reverend Charger from 2007 is a great example of the quality of Reverend’s instruments. At their inception in 1997, Reverend guitars were built near Detroit, Michigan except for their Stage King series.
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