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Fender Vintera ’60s Jazz Bass Sunburst

Fender Vintera '60s Jazz Bass Sunburst

The Fender Vintera 60’s Jazz bass is loaded with features from Fenders Golden era at a more affordable price point. This bass features a mid 60’s C shaped neck carve and a 7.25” radius. The maple neck has a Pau Ferro fretboard and vintage sized frets. The re-voiced 60’s single coil pickups have more of that authentic grit and growl that made the Jazz bass a legend. The open gear tuners, vintage saddles and three tone sunburst finish top really round out the classic aesthetic on this bass.

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Gibson Flying V 67 Reissue Tobacco Burst, 1990

 Gibson Flying V 67 Reissue Tobacco Burst, 1990

Built from 1990 into 2014, the Gibson Flying V 67 Reissue had several names as it turned into a regular production model. All of these followed the same construction and design, using a solid Mahogany body and neck with an Indian Rosewood fingerboard, a pair of humbucking pickups and a stop tail piece – ABR bridge combination.

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Gibson Dove Natural Top Square Shoulder Dreadnought, 1975

 Gibson Dove Natural Top Square Shoulder Dreadnought, 1975

In 1963 the Gibson Dove Natural Top was second from the top of the Gibson catalog, with a square shouldered dreadnought body and distinctive hand painted and inlaid pickguard.    The Dove first appeared in 1962 with a cherry sunburst finish. Until the 1960 Hummingbird, Gibson dreadnought acoustics used a round or ‘slope’ shouldered design, differentiating it from the square-shouldered Martin design. The classic J-45 has been a prime example of the slope shoulder, though it too shifted to square-shouldered in 1968 (and was discontinued in 1982; when reintroduced in 1984 it was again slope-shouldered).

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Gibson Memphis ES330 VOS Sunburst, 2013

 Gibson Memphis ES330 VOS Sunburst, 2013

The Gibson Memphis ES330 VOS model is now discontinued, along with the Memphis plant, but is a great re-creation of a late 1950’s ES-330. Introduced in 1959, the ES-330 took visual cues from the new and very successful ES-335, but is uses a fully hollow body without a solid center block. A pair of under-wound P-90s provide great tone. Until about 1963, the ES330 and its cousin the Epiphone Casino set the neck joint at the 16th fret but subsequently the joint was shifted to the 19th fret, allowing easier access to higher frets.

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Thompson 00 Redwood and Rosewood Natural, 1996

 Thompson 00 Redwood and Rosewood Natural, 1996

This lovely Thompson 00 Redwood and Rosewood guitar was built around 1996 by Ted Thompson in his one-person shop in beautiful Vernon, located in British Columbia’s Okanagan region. Ted Thompson has been building since 1979 in the Vernon area. His guitars are exceptionally well and cleanly built and have clear, crisp and well articulated sounds with plenty of harmonic content. These are wonderful instruments for fingerstyle.

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** Gibson Les Paul Recording Model Natural, 1972

** Gibson Les Paul Recording Model Natural, 1972

Built from 1971 to 1979, the Gibson Les Paul Recording model sported the features most desired by Les Paul himself, but unfortunately this did not translate into sales success. Still, even this low selling model was copied by Japanese builders during the ‘Lawsuit Era’. Constructed during the Norlin years with strong references to the original Les Paul Custom models, the Gibson Les Paul Recording model featured a Mahogany body with carved Mahogany top – unlike the Gold Top and Standard models, which had Maple caps on a Mahogany slab. At this point, Gibson was using what’s come to be called ‘Pancake’ bodies, with at least two narrower layers of Mahogany.

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
○ Sales: +416•423•2132
○ Service: +416•423•1554

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