Indian Rosewood

Gibson Les Paul GoldTop Refinish, 1952

  Gibson Les Paul GoldTop Refinish, 1952

Introduced in 1952, the Gibson Les Paul GoldTop was Gibson’s first foray into the brand new solidbody electric guitar market. With the now standard carved Maple cap on a Mahogany slab body, a metal-flake Gold finish was applied to the top to increase its ‘upmarket’ appeal. The carved top was certainly a nod towards the archtops that Gibson was already well established in making, but importantly, Gibson had the equipment to do this, and Fender did not.

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Waterloo Jumbo King Indian Rosewood Sunburst, 2017

  Waterloo Jumbo King Indian Rosewood Sunburst, 2017

The Waterloo Jumbo King looks back to the larger guitars of the American 1940’s, delivering more volume and power for larger audiences and radio broadcasts. Using an X-braced Sitka Spruce top paired with Indian Rosewood for the sides, back and fingerboard, the Waterloo Jumbo King WL-JK IR has a 15.75 inch body width and 5 inch depth. The neck is Mahogany, the Rosewood fingerboard unbound, and the bridge is Ebony with a drop-in bone saddle.

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Gibson ES 175D Archtop Electric Sunburst, 1979

  Gibson ES 175D Archtop Electric Sunburst, 1979

The Gibson ES 175D, now discontinued, was one of the most popular archtop electric models for working jazz players, with classic lines and tone. The ES-175 first appeared in 1949 with a single P-90 pickup at the neck position, and was followed by the Dual pickup ES-175D in 1953. In 1958, the P-90 pickups were replaced with Gibson’s new humbucking pickups.

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Gibson Les Paul Junior Cherry, 1962

 Gibson Les Paul Junior Cherry, 1962

Gibson first introduced the Les Paul Junior with their 1954 model lineup as their lowest price student model, with one pickup and no frills. It kept that position until 1959, when it was bumped by the Melody Maker. From 1954, the Les Paul Junior had a profile very much like the Les Paul itself – it looked like the Les Paul’s Mahogany back, just without the carved Maple cap. For 1958, Gibson was shifting to double cutaway bodies, reflected in the brand new ES-335, and the Junior also got a double cutaway treatment.

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Fano PX6 Alt de Facto Sunburst, 2010

  Fano PX6 Alt de Facto Sunburst, 2010

Here, we’re looking at a Fano PX6 Alt de Facto model with three key options – Lollar Firebird pickups instead of P90s and a set, Mahogany neck rather than a bolt-on Maple neck. This model hews close to the ‘Non Reverse’ aesthetic, with a bound Rosewood fingerboard and six-on-one-side tuning machines. The body is a slab of Mahogany with lightly rounded edges.

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Gretsch G6120DSW TV Jones T-Armonds, Orange 2014

 Gretsch G6120DSW TV Jones T-Armonds, Orange 2014

The Gretsch G6120DSW TV replicates the 1955 and 1956 6120 models, with a lot of typical Gretsch Western motif trim and Western Orange Stain lacquer finish. The very first Gretsch 6120 models were derived from a special order 1954 Streamliner Special, and presented to Chet Atkins as a potential signature model. This guitar featured a 16 inch single cutaway Maple laminate hollow body, and a second DeArmond DynaSonic bridge pickup as the Streamliner had only one pickup

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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