Introduced in 1942 as an ‘improved’ version of the J-45, the Gibson J-50 mainly differs in having a natural finish top, allowed by using better spruce.
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The 1964 Gibson ES-345 VOS 1964 in Olive Drab Green finish is a historically accurate re-creation of this much loved semi-hollow electric archtop guitar.
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Guitarists haven’t been the only musicians getting louder – other players had to keep up and the Gibson EM-150 Electric Mandolin helped meet this need.
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The Gibson ES-339 first appeared in 2007 and was an immediate hit, as a version of the classic ES-335 with a scaled-down body but full-size features.
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e Gibson Super 400 first appeared during 1935 as a variant of the vaunted L-5, the Super L-5 Deluxe. By the end of the year it had become the Super 400.
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From the 1920s to 1950’s, Roy Smeck was one of the best known American musicians, playing guitar, banjo and uke and offering instructional materials. Like Les Paul and Chet Atkins, he also took advantage of endorsement deals. One such was with the Recording King company, a lower-priced brand run by Gibson. The Recording King Roy Smeck A104 was a ‘budget’ version of the Gibson ES-150, complete with the ‘Charlie Christian’ style pickup.
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