Laminate

Eastman PCH3 GACE Grand Auditorium Steel String Guitar

Eastman PCH3 GACE Grand Auditorium Steel String Guitar

The grand auditorium body used on the Eastman PCH3 GACE is comfortable and versatile, and takes cues from another very popular brand;  until recently, many guitars were based on classic Martin and Gibson designs.   It performs well for both fingerstyle and strumming and the solid Sitka spruce top has good dynamics and clarity.

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Eastman T486B Thinline Archtop Electric Vintage Red

Eastman T486B Thinline Archtop Electric Vintage Red

The Eastman T486B Thinline is an excellent take on the classic semi-hollow design introduced by Ted McCarty, president of Gibson, with the 1958 ES-335. Like most other versions of this design, the Eastman T486B uses pressed Maple Laminate for the top, back and sides, with a Maple block running down the center of the body. The top has a pair of F holes, and here they are bound. On the Eastman, the neck is Maple with a bound Ebony fingerboard sporting Split Block Parallelogram inlays (similar to an ES-345).

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Dobro Model 66S Squareneck OMI Sandblast Sunburst, 1975

 Dobro Model 66S Squareneck OMI Sandblast Sunburst, 1975

Here we’re looking at an unusual guitar, the Dobro Model 66s, a wood bodied, single cone resophonic guitar with round sound holes and square neck. Its unique feature is the finish. The guitar was first given a standard Sunburst, then many extra coats of a tinted lacquer, and then that was sandblasted into a ‘French Scroll’ design. This Dobro Model 66s example dates to 1975 and was built at Huntington Beach, California.

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SS Stewart Model 4024 Archtop Guitar Sunburst, 1930s

  SS Stewart Model 4024 Archtop Guitar Sunburst, 1930s

Here’s a lovely piece – from the early 1930’s, an SS Stewart Model 4024 archtop guitar, built by either Regal or Harmony and sold through Buegeleisen and Jacobson, owners of the Stewart brand. The SS Stewart company, named for Samuel Swain Stewart was a major producer of banjos between 1878 and 1904, and was bought by B&J (Buegeleisen and Jacobson) a few years after Stewart’s death. Over the years, B&J shifted to producing mostly guitars with the brand, had many companies build the actual instruments including Chicago Musical Instruments, who also built Harmony, Kay, and Silvertone brands.

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Eastman T64V P90 Bigsby Thinline Hollowbody, Amber Antique Varnish

 Eastman T64V P90 Bigsby Thinline Hollowbody, Amber Antique Varnish

Built on the concept of the thin bodied yet fully hollow archtop electric guitar, the Eastman T64V delivers the tone, feel and look of early 1960s models. Gibson produced the first of these in 1959 with the ES-330, and in 1961 extended the design to their Epiphone line as the ES-230 Casino. That model was quickly picked up by British players including Paul McCartney, John Lennon and George Harrison who used theirs on many hits.

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Gibson ES175 Single Pickup Archtop Electric Sunburst, 1966

  Gibson ES175 Single Pickup Archtop Electric Sunburst, 1966

One of the classic musical workhorses, the Gibson ES175 single pickup guitar made its debut in 1949 with a P-90 at the neck, with the pickup updated to the all-new humbucker in 1957. In 1952, the ES175D (for Double pickup) appeared, with a second pickup in the bridge position. These guitars were immediate hits with professional players and serious amateurs in many genres – Jazz, Pop, and Country were the most common and the ES-175 was a standard for jazz players from its introduction until being recently discontinued.  

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THE TWELFTH FRET

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2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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