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Gibson ES350T Short Scale Archtop Electric Sunburst, 1956

 Gibson ES350T Short Scale Archtop Electric Sunburst, 1956

The thin-bodied, short scale Gibson ES350T appeared in 1955, replacing the full size ES-350 and was much like a plainer version of the Venetian-cutaway Byrdland, which also debuted that year. When launched, the fully hollow ES-350T featured laminate Maple construction largely for feedback resistance and lower production cost, but a number of versions shared the Byrdland’s Spruce top and carved Maple back and sides.

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PRS Custom 22 Korina 10 Top, 2017

 PRS Custom 22 Korina 10 Top, 2017

Here’s a beauty – a ‘Wood Library’ PRS Custom 22 Korina and Maple body, with solid Rosewood neck and Rosewood fingerboard, built during 2017 in Stevensville, Maryland. Here’s a beauty – a ‘Wood Library’ PRS Custom 22 Korina and Maple body, with solid Rosewood neck and Rosewood fingerboard, built during 2017 in Stevensville, Maryland.

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Gibson 1963 Historic ES335 Block Reissue Cherry, 2018

  Gibson 1963 Historic ES335 Block Reissue Cherry, 2018

The 1963 Gibson ES335 Block Reissue re-creates the early 1960s revision of the groundbreaking ES-335 thinline models, in particular the version used in Cream by Eric Clapton. Built as a limited edition historic reissue, the Gibson ES335 Block Reissue is as close as most people can get to the originals. This example was built at the Gibson Nashville plant during 2018, and is in excellent condition with virtually no wear.

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Gibson ES350 Electric Archtop Sunburst 1951

 Gibson ES350 Electric Archtop Sunburst 1951

Here’s a real beauty – a Gibson ES350 Electric Archtop built during 1951 at the historic Parsons Street shop in Kalamazoo, Michigan. The ES-350 was built from 1947 to 1956, and for 1957 received a thinner body and new name – the ES-350T, the T standing for Thinline.   This model was played extensively by top artists like Barney Kessel, Chuck Berry, B B King and Tal Farlow. At its 1947 introduction, the Gibson ES350 was named the ‘ES-350 Premiere’ and was a full body, single cutaway archtop with a single P-90 pickup in the neck position. For 1949, it received a second pickup. Construction was typical of Gibson’s electric archtop production, with Laminate Maple for the top, sides and back, part of an attempt to reduce feedback at stage volumes.

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Fender Elite Precision Bass Sunburst, 2016

 Fender Elite Precision Bass Sunburst, 2016

Updating the classic P-Bass, the Fender Elite Precision Bass adds a bridge Jazz Bass Pickup, active and passive circuitry, a contoured heel and a HiMass bridge. Quickly adopted after its 1952 introduction, the Precision Bass has become the standard bass for performers in virtually all genres. It has proven itself to be extremely durable, reliable, and versatile and many other builders have based instruments on the P-Bass concepts.

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Gretsch Tennessee Rose G6119FT Thin Body Archtop Walnut, 2006

  Gretsch Tennessee Rose G6119FT Thin Body Archtop Walnut, 2006

Based on the 1962 Chet Atkins Tennessean, the Gretsch Tennessee Rose G6119 was introduced in 1995, but wasn’t a ‘Chet Atkins’ model until 2007 when Gretsch re-acquired rights to the Atkins name. Consequently, the pickguard on this example has only the words ‘Tennessee Rose’ and the Gretsch logo. The 6119 Tennessean appeared in 1958 as a full size, single pickup archtop. In 1962, it was drastically revised with a new, thin body using the sealed ‘ElectroTone’ concept for feedback resistance. This design has faux F-holes, either painted or decals. It bore a pair of either Filter ‘Tron or HiLo ‘Tron pickups and the model was discontinued in 1980. Gretsch, then owned by Baldwin, folded in 1983 with Baldwin’s bankruptcy.

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