Appearing in 1960 next to the top of the line J-200, the Gibson Hummingbird was Gibson’s first square-shoulder – Martin style – dreadnought guitar.
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Built with a body and neck of Mahogany paired with Indian Rosewood for the fingerboard, bridge and head plate, the Martin 000-15M is a punchy, responsive guitar. The Martin ’15’ series indicates that the trim level is fairly low, in particular there is no body or fingerboard binding, and the finish is satin. Mahogany has long been used as an alternative wood for guitar and ukulele tops, and Martin has used it for nearly a century.
The Flatiron F5 was a take on one of the most influential mandolin designs, the Gibson F5, designed by Lloyd Loar and introduced in 1922. Loar built on Orville Gibson’s groundbreaking blending of violin, mandolin and guitar design concepts that produced the first archtop fretted instruments. Flatiron was started by Chuck Morrison, and in 1978 purchased by Steve Carson, who soon hired Ren Ferguson.
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Here is a lovely item from the past – a Larrivee OO body steel string guitar from 1976 in Toronto, just as The Twelfth Fret opened, with signatures from both Jean Larrivee (on the label) and Tony Duggan-Smith (discreetly engraved in the headstock inlay). At the time this guitar was built, I was just moving to The Twelfth Fret from the late Darryl Williams’ shop in Schomberg, Ontario, as the first Twelfth Fret employee.
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Here we’re looking at a Lakewood M53, with a Grand Concert body built using a AAAA grade German Spruce top and Cocobolo for the back, sides, rosette and head plate. The body blocks and slotted-peghead, 13-fret joint neck are Mahogany, with Ebony for the bridge and bound fingerboard; the binding is Maple and on this guitar, there are a pair of Mother of Peal Maple Leaf inlays at the twelfth fret.
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The Gibson Les Paul Junior, introduced in 1954 as a single cutaway, single pickup slab body model was Gibson’s lowest price solidbody until the 1959 Melody Maker. This Gibson Les Paul Junior dates to 1959 at the Gibson plant on Parsons Street, Kalamazoo, Michigan. It is in good playing condition, with no breaks or cracks. The 7th fret dot position marker is missing, but can easily be replaced. The original stop-bridge is in the case, and on the guitar a compensated aftermarket bridge is in place.
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