The Twelfth Fret ~ Since 1977 ~

Mahogany

Michael Greenfield G-1 Cutaway Steel String Guitar Brazilian, 2002

 Michael Greenfield G-1 Cutaway Steel String Guitar Brazilian, 2002

The Greenfield G-1 is a very responsive guitar, quick to react to even the lightest touch and lends itself to many different styles of music. It has a very focused yet open sound with a tight responsive bass, transparent mids and thick, clear, ringing highs. Primarily intended as a fingerstyle guitar, it is also superb for light strumming or acoustic jazz.

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Larrivee LV-03R Steel String Acoustic Guitar, 2012

 Larrivee LV-03R Steel String Acoustic Guitar, 2012

The Larrivee LV-03R Steel String Acoustic Guitar is part of the Recording series, and uses the traditional Larrivee L body, drawn from the proportions of the Hauser style classical guitar. This gives it a very reliable, even tonal representation throughout the spectrum and plenty of volume when requested. The cutaway definitely adds to the upper fret accessibility. This example dates to October 29, 2012 and was built at the old Larrivee plant in Victoria, BC. It features a Sitka Spruce top, with Indian Rosewood used for the sides, back, headplate and bridge plate, and the body is bound with maple.

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Ernie Ball Music Man StingRay Bass White, 2014

 Ernie Ball Music Man StingRay Bass White, 2014

Built during 2014 and naturally in a gloss white finish this Ernie Ball Music Man StingRay Bass was the first instrument produced in 1976 by the then-new Music Man company, part owned by Leo Fender. The Ernie Ball Music Man StingRay Bass is a full scale length, 34 inch 4 string bass with an Ash body and bolt-on Maple neck; both Maple and Rosewood fingerboards, as with this example, are available. The StingRay features a single humbucking AlNiCo magnet pickup in the bridge position, and an active 3-band EQ running off a single 9-volt battery, accessible via a small door on the back. The short headstock is typical of the Music Man design – at least one tuner is shifted to the treble side to reduce the length of the head, and improve overall weight distribution and balance.

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Ernie Ball Music Man Stingray Bass Sea Foam Green, 2011 (REDUCED)

 Ernie Ball Music Man Stingray Bass Sea Foam Green, 2011 (REDUCED)

The Ernie Ball Music Man Stingray Bass quickly became a workhorse for working players following its 1976 introduction, building on Leo Fender’s legacy. The Stingray Bass added a humbucking pickup and active electronics to the ultra reliable Fender formula. Here we have, from 2011 and sporting a California – style Sea Foam Green finish.

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Waterloo Jumbo King Steel String WL-JK by Collings, Sunburst 2016

 Waterloo Jumbo King Steel String WL-JK by Collings, Sunburst 2016

Waterloo instruments are Colling’s homage to Americn guitars from the 1930s and 40s. The Waterloo Jumbo King, WL-JK, reproduces a design built by Regal for Montgomery Ward catalog sales.

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!!! Gibson 1941 SJ-100 Jumbo Steel String Guitar, 2013

!!! Gibson 1941 SJ-100 Jumbo Steel String Guitar, 2013

The Gibson 1941 SJ-100, built in Bozeman Montana, recreates one of the rarest Gibson acoustics – the SJ-100, using a Super Jumbo body with Mahogany back and sides. These were first introduced in 1939, replaced in 1941 but rapidly discontinued with under 180 built.
The 1941 SJ-100 uses Sitka Spruce for the top and braces, Mahogany for the back, sides and neck, and Indian Rosewood for the fingerboard and bridge. An L R Baggs Element pickup is installed at the factory, like most modern Gibson acoustics, and it’s ready to go. The headstock shape is very reminiscent of the late 1930’s and 1940’s pegheads, with a Mother of Pearl script Gibson logo.

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THE TWELFTH FRET

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