We’ve just received a brand-new Gibson SJ-200 Studio Walnut, a slightly slimmer version of the classic SJ-200.
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This beautiful Flammang 000-35 is a custom built model from David Flammang in Greene, Iowa during 2020, and is in excellent condition.
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The PRS S2 Singlecut Standard Satin, discontinued in 2019, appeared in 2015 as a workhorse guitar for gigging musicians. The Satin finish, applied without filler to the Mahogany body and neck, provide a thin, unrestrictive coating that feels great and also reduces production cost and retail price.
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The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay, Gibson built a few RB-250 banjos every years from 1949 until 2010, when a devastating flood in Nashville destroyed Gibson’s Banjo and Mandolin facilities.
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In 1952, the Gibson Les Paul Model made its first appearance as a single cutaway, solid body guitar with the now-standard combination of a carved Maple cap on a Mahogany body, with a Mahogany neck and Rosewood fingerboard. The available finish was a metallic gold top with clear lacquer over the rest of the guitar. The earliest models had an un-bound fingerboard, but this quickly changed to a bound fingerboard. At the time, ‘Rosewood’ came from Brazil.
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The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price.
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