Memphis

Gibson Les Paul Studio Lite M3 Trans Red, 1992

 Gibson Les Paul Studio Lite M3 Trans Red, 1992

The Gibson Les Paul Studio Lite M3, or M-III was built from 1992 to 1994, and featured an HSH pickup configuration, five way switch plus another toggle, and a lighter weight body. The lighter weight was achieved by chambering the body, then refilling the chambers with inserts of lighter wood. Gibson named the inserted wood ‘Chromyte’ after its latin name, Ochroma lagopus, but it’s more commonly referred to as Balsa.

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Epiphone BB King Lucille Thinline Archtop Electric, 2015

  Epiphone BB King Lucille Thinline Archtop Electric, 2015

Based closely on the currently-discontinued Gibson signature model, the Epiphone BB King Lucille is an affordable and rather good entry into the world of thinline archtop electrics.  The late, great B B King continues to have an outsized influence on blues stylings. His use of tasteful restraint combined with a wicked vibrato and an outstanding voice provide many points of emulation for countless players. For many years, BB King used top of the line Gibson thinline electric guitars, primarily the ES-355 and ES-345. Because he was the frontman and band leader, his amps would be set to maximum with stage volume controlled from the guitar; this kept his attention to the audience.

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Gibson 57 Les Paul Custom Reissue 3 Pickup Bigsby Ebony, 2011

  Gibson 57 Les Paul Custom Reissue 3 Pickup Bigsby Ebony, 2011

Here’s a very classy and fairly rare guitar – a Gibson 57 Les Paul Custom Reissue 3 Pickup with Bigsby, in Ebony Black with gold plated hardware! This model was marketed as the Black Beauty, and in its original form was configured with ‘Fretless Wonder’ low frets. The Les Paul Model debuted in 1952 with a Maple cap carrying a metallic gold finish, on a natural finish Mahogany back. In 1953, the ‘upmarket’ Les Paul Custom appeared, with a number of significant differences.

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Gibson F12 Mandolin Sunburst, 1949

  Gibson F12 Mandolin Sunburst, 1949

The Gibson F12 mandolin was built for two periods – from 1934 to 1937, and from 1948 to 1980. This example is one of 85 built during 1949. Gibson mandolins broke new ground when Orville Gibson combined traditional Mandolin and Violin designs in the closing years of the 19th century. To this point, mandolins mostly followed the European style with a bowl back and flat, folded top.

Vintage

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Gibson Flying V Faded Black, 2007

 Gibson Flying V Faded Black, 2007

The Gibson Flying V Faded was built for the decade from 2002 to 2012, and uses a stripped-down concept to deliver a great, high quality working instrument at reduced cost. This model was mostly built with a faded Cherry finish and the black seen here was relatively unusual. Ted McCarty, the president of Gibson introduced the Flying V in 1958, along with the Explorer and the almost mythical Moderne.

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Gibson ES 345 1964 Reissue Cherry, 2017

 Gibson ES 345 1964 Reissue Cherry, 2017

The Gibson ES 345 appeared in 1958 as one of the two ‘upmarket’ versions of the ground breaking new ES-335, and featured a Varitone switch and Stereo outputs. Here we’re looking at a Gibson ES 345 in its 1964 Reissue form, built during 2017 at the now-closed Memphis, Tennessee plant. This lovely piece is in very good condition with negligible wear.
The body and neck are built in the traditional manner, with Maple Laminate used for the top, back and sides and a solid Maple center block.

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THE TWELFTH FRET

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