Memphis

Gibson Byrdland Venetian Cutaway Archtop Sunburst, 1991

 Gibson Byrdland Venetian Cutaway Archtop Sunburst, 1991

The Gibson Byrdland Florentine Cutaway model has been in production since 1955 though Gibson also offers the original sharp Venetian cutaway. It is based on a thinline version of the classic L5-CES body, but with a short scale length of 23.5 inches, two inches shorter than the L5. The Byrdland was introduced as a custom model for two top Nashville session players, Billy Byrd and Hank Garland.

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Gibson Byrdland Florentine Cutaway Sunburst, 1968

 Gibson Byrdland Florentine Cutaway Sunburst, 1968

The Gibson Byrdland Florentine cutaway model originally had a rounded, ‘Venetian’ cutaway between its introduction in 1955 and 1960, and regained the Venetian cutaway in 1969. Modern Custom Shop ‘reissue’ models are available with either shape, since 1992. The Byrdland had its origins in the requirements of busy working session guitarists – two working session guitarists in particular. Hank Garland and Billy Byrd were two of the top Nashville players throughout the 1950’s.

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Gibson Les Paul Special TV Yellow, 1993

 Gibson Les Paul Special TV Yellow, 1993

The construction of the Gibson Les Paul Special is simple. Mahogany is used for a slab body, and the neck. Rosewood is used for the bound fingerboard – and that’s it for wood selection. Hardware is also straightforward, with Kluson Deluxe tuners at the head – originally strip tuners, now individual gears -and at the other end, a stop bar tailpiece. Electronics include a pair of P-90 single coil pickups, pickup selector and individual volume and tone controls; the output jack is on the side.

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Gibson ESDP 335 Dot Neck Plain Top Thinline Sunburst, 2006

 Gibson ESDP 335 Dot Neck Plain Top Thinline Sunburst, 2006

The Gibson ESDP 335 was identical to other 335 models – the distinguishing characteristics are the use of dot position markers instead of blocks, and plain, un-figured Maple laminates for the body.   For hardware, there’s a set of Grover Roto-Matics at the head, a standard tune-0-matic and stop tailpiece set, and a pair of Classic 57 pickups with standard wiring.  

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Gibson Les Paul Jr Solidbody Cherry, 1959

  Gibson Les Paul Jr Solidbody Cherry, 1959

The Gibson Les Paul Junior, introduced in 1954 as a single cutaway, single pickup slab body model was Gibson’s lowest price solidbody until the 1959 Melody Maker. This Gibson Les Paul Junior dates to 1959 at the Gibson plant on Parsons Street, Kalamazoo, Michigan. It is in good playing condition, with no breaks or cracks. The 7th fret dot position marker is missing, but can easily be replaced. The original stop-bridge is in the case, and on the guitar a compensated aftermarket bridge is in place.

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Gibson Les Paul 1959 Historic Vintage Sunburst, 2009

 Gibson Les Paul 1959 Historic Vintage Sunburst, 2009

The Gibson Les Paul 1959 Historic aims to be an accurate re-creation of the classic and influential 1959 Les Paul Standard. The Les Paul model was introduced in 1952, but was not particularly successful. In 1958, the line was updated to include Gibson’s new humbucking pickups, and sunburst finishes instead of Black (the Custom) or the Gold Top. The shift to sunburst, a translucent finish, meant that the Maple top had to be a higher grade. The rest of the guitar was the same – Maple cap on a Mahogany slab body, with Mahogany for the neck and Rosewood for the fingerboard.

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THE TWELFTH FRET

Guitarists’ Pro Shop
2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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