The Twelfth Fret ~ Since 1977 ~

Memphis

Gibson RB-250 Mastertone Banjo Mahogany, 1976

  Gibson RB-250 Mastertone Banjo Mahogany, 1976

The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay, Gibson built a few RB-250 banjos every years from 1949 until 2010, when a devastating flood in Nashville destroyed Gibson’s Banjo and Mandolin facilities.

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Gibson Les Paul Model Gold Top, 1952

  Gibson Les Paul Model Gold Top, 1952

In 1952, the Gibson Les Paul Model made its first appearance as a single cutaway, solid body guitar with the now-standard combination of a carved Maple cap on a Mahogany body, with a Mahogany neck and Rosewood fingerboard. The available finish was a metallic gold top with clear lacquer over the rest of the guitar. The earliest models had an un-bound fingerboard, but this quickly changed to a bound fingerboard. At the time, ‘Rosewood’ came from Brazil.

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Gibson Super 400 Archtop Electric Sunburst, 1954

  Gibson Super 400 Archtop Electric Sunburst, 1954

The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price.

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Gibson Les Paul Junior Cherry, 1959

   Gibson Les Paul Junior Cherry, 1959

The Gibson Les Paul Junior was introduced in 1954 as a single cutaway slab bodied design, essentially a Les Paul without the carved Maple (or Mahogany, in the case of the Custom) cap. Intended as an entry level model, it carried a single P-90 pickup and very little decoration.

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Gibson ES-165 Herb Ellis ‘Roadworn’ Sunburst, 2004

  Gibson ES-165 Herb Ellis 'Roadworn' Sunburst, 2004

Built from 1991 to 2011, the Gibson ES-165 Herb Ellis draws from the classic workhorse ES-175, but with a single neck-mount ‘floating’ pickup; some variations used a top-mount humbucker. The Herb Ellis Plus used a pair of traditional full-sized, top-mount humbuckers.

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Gibson Custom Shop SG Metallic Emerald Green, 1993

  Gibson Custom Shop SG Metallic Emerald Green, 1993

Here we have another rarity – from September 1993, a Gibson Custom Shop SG in Emerald Green Metallic finish with gold hardware and pearloid pickguard! The Gibson SG had been produced for three years before it gained the name ‘SG’. It was originally introduced in 1961 as a complete redesign of the then-unpopular single cutaway, carved Maple top Les Paul model. An additional driving factor was addressing Fender’s characterization of Gibson as old-fashioned.

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THE TWELFTH FRET

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