The Twelfth Fret ~ Since 1977 ~

Michigan

Gibson ES135 Cutaway Thinline Archtop Sunburst, 1996

 Gibson ES135 Cutaway Thinline Archtop Sunburst, 1996

The single cutaway, thinline Gibson ES135, built from 1991 to 2004 started out as a quite different guitar – the 1954 ES-130 non-cutaway archtop electric, renamed the ES-135 in 1956 and discontinued in 1958.  For 1991, Gibson blended the ES-334 concept with the ES-175 body shape and added a pair of P-90 or humbucking pickups  and either a trapeze or stop tailpiece.  The model was discontinued in 2004. The Gibson ES135 shares many construction features with other ES (Electric Spanish) thinline models. 

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Gibson Custom CS356 Thinline Faded Cherry, 2008

 Gibson Custom CS356 Thinline Faded Cherry, 2008

The Gibson Custom CS356 was the top level version of the Gibson Custom CS336, and was built from 2002 to 2008. Like the CS-336, it was based on a carved Solid Figured Maple top on a chambered single-piece block of Mahogany, routed out to provide the sides, back, center block and tone chambers. Based on its 5-digit serial number with an 8 as its first digit, this example dates to 2008 and as such would be one of the last built.  It has very little wear,  and is in great condition with only a few minor bumps.

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Gibson Les Paul Standard Amber Burst, 2005

 Gibson Les Paul Standard Amber Burst, 2005

Originally produced for only the years 1958 to 1960, the Gibson Les Paul Standard overcame its lack of commercial success and became one of the influential guitars ever. The Les Paul Standard appeared in 1958 as a ‘new’ version of the Les Paul model and carried Gibson’s new hum-bucking pickups designed by Seth Lover, and was adorned with a sunburst finish showing off what was normally a nicely figured Maple cap.

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Heritage H555 Thinline Maple Antique, 1989

  Heritage H555 Thinline Maple Antique, 1989

Built from 1989 to about 2017 at the historic Parsons Street plant in Kalamazoo Michigan, the Heritage H555 evokes the higher end, groundbreaking thinline archtop electrics of the late 1950s. The Heritage Guitar Company was founded in 1985 by a number of former Gibson employees who chose not to relocate when Norlin, then Gibson’s parent company, moved operations to Nashville in 1984. They stayed behind, purchased the plant and began producing professional and higher grade instruments clearly influenced by their experiences.

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Gibson Dove Natural Top Square Shoulder Dreadnought, 1975

 Gibson Dove Natural Top Square Shoulder Dreadnought, 1975

In 1963 the Gibson Dove Natural Top was second from the top of the Gibson catalog, with a square shouldered dreadnought body and distinctive hand painted and inlaid pickguard.    The Dove first appeared in 1962 with a cherry sunburst finish. Until the 1960 Hummingbird, Gibson dreadnought acoustics used a round or ‘slope’ shouldered design, differentiating it from the square-shouldered Martin design. The classic J-45 has been a prime example of the slope shoulder, though it too shifted to square-shouldered in 1968 (and was discontinued in 1982; when reintroduced in 1984 it was again slope-shouldered).

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Gibson Memphis ES330 VOS Sunburst, 2013

 Gibson Memphis ES330 VOS Sunburst, 2013

The Gibson Memphis ES330 VOS model is now discontinued, along with the Memphis plant, but is a great re-creation of a late 1950’s ES-330. Introduced in 1959, the ES-330 took visual cues from the new and very successful ES-335, but is uses a fully hollow body without a solid center block. A pair of under-wound P-90s provide great tone. Until about 1963, the ES330 and its cousin the Epiphone Casino set the neck joint at the 16th fret but subsequently the joint was shifted to the 19th fret, allowing easier access to higher frets.

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THE TWELFTH FRET

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2132 Danforth Avenue
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