Drawing from the roots of the single-cone resophonic guitar, the National Style O Steel 14 Fret definitely has a vintage appearance with all the quality of modern Nationals. Sporting a unique ‘Weathered Steel’ finish over a steel body with rolled F-holes and a Maple neck with Ebony fingerboard, the Style O Steel 14 Fret delivers all the tone, volume and projection that National is known for.
Nickel Plate
Introduced in late 2001 and built until 2010, the Gibson CS336 is based on a scaled-down ES-335, but there are some significant differences. The body blends a carved, two piece solid Maple top with a solid piece of Mahogany, shaped and routed to provide the inner resonant chambers and the solid center block. In the ES-335 design, the top, sides and back are built traditionally using Maple laminate, with a solid Maple center block added. On this model, the bound fingerboard is Indian Rosewood with dot position markers.
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MORE →Here’s a piece of Canadiana – a Deering Jens Kruger Tenbrooks banjo with Kavanjo pickup head, used in Whiskey Jack, the band that backed up Stompin’ Tom Connors. The Deering Jens Kruger models are the top of the Deering Tenbrooks line. As the name suggests, Jens Kruger was closely involved in the design of this banjo, in particular the tone ring which emulates prized pre-war Gibson models.
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MORE →The Gibson Memphis ES330 VOS model is now discontinued, along with the Memphis plant, but is a great re-creation of a late 1950’s ES-330. Introduced in 1959, the ES-330 took visual cues from the new and very successful ES-335, but is uses a fully hollow body without a solid center block. A pair of under-wound P-90s provide great tone. Until about 1963, the ES330 and its cousin the Epiphone Casino set the neck joint at the 16th fret but subsequently the joint was shifted to the 19th fret, allowing easier access to higher frets.
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MORE →The Beltona T105 Tricone was one of the early products of Beltona, founded in the UK by Steve Evans and Bill Johnson in 1990. Respectively a luthier and engineer, Evans and Johnson first sought to build instruments for themselves that were, at the time, not readily available in the UK. In 1998, Beltona moved to New Zealand,
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MORE →Here is something new, rare and wonderful – a brand-new Scheerhorn L-Body Flame Maple Squareneck Resophonic Guitar, built under license by National Resophonic Guitars in San Luis Obispo, California. In 1989, Tim Scheerhorn showed Mike Aldridge his first experimental squareneck and by the end of 1990 Scheerhorn guitars were in the hands of many top pro players and Tim already had a long waiting list. The Dobro guitar construction style had stayed static since the 1930s with virtually no design changes.
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