The Boucher Studio Goose SG-52 uses the traditional square shoulder Dreadnought body design pioneered by Martin in the early 20th century, and which has dominated the acoustic guitar world since the 1950s. The very white, locally harvested AAAA grade Adirondack Red Spruce top, using a hand-scalloped forward shifted X brace system is paired with Indian Rosewood to provide warm, full tone. The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
Quebec
The Boucher Heritage Goose HG-26 is based on the traditional 12 fret, 000 body design, with a slotted peghead to increase string downbearing at the nut without increasing head pitch. This helps add clarity, separation and sustain to open string notes. Here, Boucher has paired the Adirondack Red Spruce with African Bubinga. The neck is Mahogany with Ebony used for the headplate, bridge, and fingerboard.
The Boucher Studio Goose SG-41 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Brazilian Mahogany to provide clear, crisp tone and immediate response.
The Boucher Richard Bennett signature series model is based on the classic Dreadnought body, pairing an Adirondack Spruce top with Brazilian Mahogany for the body and neck. This combination provides a full tone with crisp sparkling highs and fast response. Decoration on the Richard Bennett model is minimal – it focuses on tone and performance.
This instrument has sold
MORE →Sharing many features with the SG-21 and SG-41, the Boucher Studio Goose SG-51 features an Adirondack Spruce top but with Indian Rosewood back and sides. The Studio Goose SG-51 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Indian Rosewood to provide warm, crisp tone . The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
This instrument has sold
MORE →The Godin Multiac Grand Concert has become a very successful and immensely practical instrument, and is based directly on the Gibson Chet Atkins CE Classical Electric from 1981.
By the early 1980s, Chet Atkins had shifted largely to playing nylon string guitars, but the instruments available at the time were strictly acoustic and not really suited to the realities of touring, and amplified or broadcast stages. On Atkin’s request, Gibson produced two models of a solidbody nylon string guitar, using Mahogany for the neck and a slab body, adding a Spruce top.
This instrument has sold
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