The Goodtime Two has a natural blonde maple with a satin finish to protect it. The rich, golden tone and the reverberation off the resonator sound great. You can definitely tell a volume difference between open back and a Goodtime Two.
Resonator
For decades, the Gibson Mastertone RB250 banjo was the benchmark, workhorse banjo for countless players in country and bluegrass styles. During the later 1960’s and the 1970’s, however, quality suffered, until in 1984 Gibson hired Greg Rich to revamp the line and bring quality back to its original high level.
This instrument has sold
MORE →This example of the Stelling Whitestar dates to 1983, with dark stained Maple for the neck and resonator and Indian Rosewood for the fingerboard. Overall it is in quite good condition, with five capo tacks installed. The scale length is 26 inches or 660.4mm and the nut width 1.26 inches or 32mm. The finish is gloss.
This instrument has sold
MORE →The Mahogany-bodied National ResoRocket WB combines the lovely sonority of a wooden body in a Bendaway single-cone instrument to create a unique National guitar.
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MORE →This example of the National Style 1.5 Tricone Resophonic is dated 09-04 (September 2004) and is in overall good condition. The body is brass with nickel plating and a double-line engraving around the edge (the nickel plating presents a few challenges to capturing an image). Nickel has a tendency to lightly tarnish over time; this is one of the reasons many shifted to Chrome as a longer lasting plating material.
This instrument has sold
MORE →The National Resophonic Style O – yes it’s a letter O, not a zero – goes back to the designs of the 1920s and early salvoes in the Guitar Volume Wars. This 12-fret neck example, dating to March 2015 and built at the National plant in San Luis Obispo, California, blends features of the Style O and Style O Deluxe, particularly in the choice of Mother of Pearl diamond shape position markers. It is in pristine condition with the original hard shell case.
This instrument has sold
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