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Second Life MasterClone Banjo 2014

 Second Life MasterClone Banjo 2014

Banjo-maker Carl Arcand routinely restores older banjos to give them a ‘second life’ from his Eastern Townships shop in Ulverton, Quebec. This fine example Second Life MasterClone Banjo is still archived on his site. This instrument is assumed to be based on a 60s or 70s Gibson TB-250 ‘donor-banjo’ pot with flathead bronze tone ring and fitted to an Arcand handmade replica neck. The resurrection work was completed and the banjo first sold in 2014. This Second Life MasterClone Banjo is certainly equal or superior to any 70’s original Gibson. It is what we would call a RB-250 Mastertone “clone” banjo or “Master-Clone” banjo.

Used

This instrument has sold

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❌ ❌ Gibson RB-18 Mastertone Top Tension 5-String Banjo Sunburst, 1996

❌ ❌ Gibson RB-18 Mastertone Top Tension 5-String Banjo Sunburst, 1996

Here we’re looking at a wonderfully preserved Gibson RB-18 Mastertone ‘Top Tension’ 5-string banjo, with its gold plating unworn and the finish lightly checked from age. From the serial number, it appears to have been produced during June of 1996. The number breaks down as ‘RB’ for Regular Banjo – i.e. 5-string – ’18’ for the style, followed by two digits for the year (96) and two for the month (06). The last group of digits, a single number 7 in this case, is the production number for that model in that date period.

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National Resophonic T-14 Cutaway Tricone, Weathered Steel

National Resophonic T-14 Cutaway Tricone, Weathered Steel

Here we have a National Resophonic T-14 Cutaway Tricone in a Weathered Steel finish. The official model number is ‘T-14WS’, and it’s a slim, steel bodied, three cone resophonic guitar with a 14-fret neck. And at under eight pounds, it weighs less than many solid body electrics! The T-14 Cutaway Tricone is full-scale guitar, at 25.66 inches. This requires a bit more tension on the strings and the cones, which can result in increased volume.

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National Resophonic Pioneer RP1 Chipped Ivory

National Resophonic Pioneer RP1 Chipped Ivory

We’ve received a brand-new National Reso-Phonic Pioneer RP1 semi-hollow electric in a fabulous Chipped Ivory finish! These are great guitars with unmistakable tone and the solid build quality expected from a National Reso-Phonic guitar. The neck is maple with ebony fingerboard, and the body is semi-hollow finished steel. The Lollar P-90 in the neck position provides a warm, fat tone and the piezo element in the bridge accurately reproduces the resonator tone. Active circuity rounds it out.

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National RM1 Walnut Resophonic Mandolin Sunburst, 2010

 National RM1 Walnut Resophonic Mandolin Sunburst, 2010

The National RM1 Walnut is built in San Luis Opisbo California and features a teardrop, almost ‘A Style’ body shape, but with a single 9.5 inch resonator cone. The RM1 Walnut pairs a figured Maple top with Black Walnut for the sides and carved back; the neck is figured Maple with a bound Ebony fingerboard. Because it’s a reso-phonic instrument, the bridge is built into the center of the resonator cone.

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Republic Highway 61 Cutaway Resophonic Guitar

 Republic Highway 61 Cutaway Resophonic Guitar

The Republic Highway 61 has a single cone resonator, 12 inch wide body – around the size of a Les Paul, and has a 25 inch scale length with 1 13/16 inch nut width. The body sports lattice soundholes like those on a Tricone model, so there’s lots of space for air to move. These sound good, and the smaller size makes them a lot of fun, and easy to play.

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THE TWELFTH FRET

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2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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