Today we’re looking at one of the seminal resophonic guitars, a National Style 0 in ‘Etched Silver’ finish dating to around 1930. The Resophonic design dates to 1927 as a successful effort in increasing volume. While tri-cone models were the first, the single cone Style 0 offered more volume and lower production costs, though the harmonic content is not as rich as the tri-cone. In general, single cone models provide a sharp attack and quick decay, somewhat like a banjo, while tri-cones deliver a smoother rise and more sustain.
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As an example of form following function, the long neck banjo was a Pete Seeger creation designed to extend available keys using just a capo. Placing the capo at the third fret, the long neck functions as a ‘normal’ 5-string banjo in G, but without the capo it drops down to E.
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The Stelling Sunflower was created by slightly modifying and adding to the Bellflower inlay pattern, and making the neck and resonator out of curly maple instead of walnut. Built during 2013 at the Stelling shop in Afton, Virginia, this example is in excellent condition.
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The Golden Era is one of Deering’s most popular banjos for traditional bluegrass bands. If you’re looking for that classic bluegrass banjo tone and look – this is the banjo for you. Adorned with a traditional hearts & flowers inlay pattern, this banjo has the appearance and feel of the prized banjos from the 1930’s. It is designed to produce the most sought-after sound, a sound previously only achieved by five-string banjos of the pre-war era. This beautiful banjo has a Genuine Deering -06- 20-hole bell bronze tone ring.
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National Triolian Polychrome ‘Palm Yellow’ Resophonic Guitar, 2010
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