The Hollowneck Report Part 3 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
The Hollowneck Report Part 5 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
The Hollowneck Report Part 6, our final installment, features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
Sometimes simplicity really is the best way to go. The original 1976 Stingray from Ernie Ball Music Man has found a soft spot in many players hearts, thanks to its straightforward, rock-solid design and versatility.
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Today we’re featuring the National Style 1, an instrument that is very true to these very first National resophonic guitars, right down to the nickel plated German Silver body, T-bridge on spun 6″ National cones, V-profile mahogany neck and slotted peghead!
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The folks at National Reso-phonic Guitars are constantly experimenting with new models, as well as tweaking their existing models to squeeze out even more tone and response … one of the advantages of being a small production company! Their latest endeavor is the release of their new reproduction of the Triolian.