The Rickenbacker 330 design dates back to the late 1950’s when Roger Rossmeisl created a number of forward-looking designs including the Cresting Wave, chambered body and slash soundholes.
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This Gibson Byrdland dates to 1974 and was built at the Gibson Nashville plant, and carries the Venetian cutaway. It is in overall good condition though the original case and pickguard are gone. This guitar has been used as intended, so it has some wear, dings and dents. The finish has some natural checking, and fingernail marks around the treble volume control. The frets are fairly low but still playable. The electronics and hardware other than the volume / tone knobs are original. The tuners are gold-plated Grover Imperials with metal tulip shaped buttons, and of course the engraved Byrdland tailpiece is there.
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The Cole Clark Violap is based on the classic Weissenborn steel guitar body shape, but built as a semi-hollow for amplified use without feedback. The concept is similar to the thinline Gibson ES-335 series, with a solid center block in an arched-top body. Cole Clark was founded in 2001 by Adam Cole and Bradley Clark in Melbourne Australia, and focuses on building quality instruments using sustainably harvested tone woods mostly native to Australia.
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Here we have a 1978 Fender Telecaster Thinline, from the second variation produced 1972-1980 at Fullerton, California. For this version the stock Tele pickup set is replaced with a pair of original design, humbucking pickups designed by Seth Lover, and the ‘Ashtray’ bridge shifts to the ‘Hardtail’ model like that found on trem-less Strats. The pickguard has been enlarged to enclose the bridge pickup. This example carries the classic one-piece Fender Maple Neck, with Schaller-designed tuners and the innovative Micro-Tilt 3-bolt neck attachment.
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The Gibson Chet Atkins Country Gentleman was built from 1986 to 2005, but Gibson’s association with Chet Atkins began in 1981 with the CEC Cutaway Electric Classical. While most of the Chet Atkins Country Gentleman guitars were made by Gretsch, that was impossible after 1981 when Gretsch temporarily folded. Gibson stepped in to work with Atkins, and produced a number of excellent, and ground-breaking instruments.
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Rickenbacker introduced the 4001 bass in 1961 as an improved version of their first bass, the 4000 (introduced in 1957). The 4001 sported the same distinctive ‘crested wave’ body shape, but added a neck pickup and the cast bridge with built-in adjustable mute.
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