The Twelfth Fret ~ Since 1977 ~

Sitka Spruce

!!! William Laskin 7 String Acoustic Guitar, 1992

!!! William Laskin 7 String Acoustic Guitar, 1992

William Laskin is very well known for the creativity and quality of his inlay work. Here, a stag or buck – a male deer with antlers is depicted between frets 11 and 18, in a mixture of engraved woods and, it appears, ivory for the antlers. This guitar is old enough that small amounts of ivory were still used, and here appears in the nut, saddle, sliding nut components, and the inlaid antlers.

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Gibson SJ 200 Standard Sunburst, 2017

   Gibson SJ 200 Standard Sunburst, 2017

Here is a very nice Gibson SJ 200 Standard – the SJ standing for Super Jumbo – in Vintage Sunburst and built during 2015 in Bozeman, Montana. The name has varied over time, starting as the SJ-200 from 1938 to 1954, then abbreviated to J-200 until 1999 when it became the SJ-200 again. This model has been a favourite with a wide range of guitarists, from Gene Autry to Jimmy Page, Pete Townsend to Tex Ritter.

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Collings MT A Style Mandolin Satin Sunburst, 2019

  Collings MT A Style Mandolin Satin Sunburst, 2019

The Collings MT A Style mandolin is the entry point for Collings mandolins, and its lack of decoration doesn’t hide the quality of the instrument or the care with which it was built. The A Style mandolin appeared in the closing days of the 19th century as part of Orville Gibson’s revolutionary introduction of violin making principles to mandolin construction.   The results were such a dramatic improvement that the centuries old European bowl-back design almost died out in short order. 

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Taylor 614ce Builder’s Edition Silent Satin Wild Honey Burst

Taylor 614ce Builder's Edition Silent Satin Wild Honey Burst

The Taylor 614ce Builder’s Edition  is designed to elevate the acoustic playing experience by providing a luxurious feel and tone. Based around the new V class bracing, the Taylor 614ce Builder’s Edition features a torrefied Sitka spruce top and maple sides and back. The process of roasting the Sitka spruce decreases dampening, which in turn delivers a more played in feel and increased touch sensitivity.

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SOLD Taylor 317 Grand Pacific Slope Shoulder Dreadnought

SOLD Taylor 317 Grand Pacific Slope Shoulder Dreadnought

The new Taylor 317 uses one of the newest body shapes from Taylor guitars, the Grand Pacific. It is a round shoulder dreadnought design, paired with Taylor’s new V class bracing system. This marks a new sound for Taylor guitars inspired by classic acoustic guitar sounds and coupled with the sonic improvements of their V class bracing. The tone is warm with powerful clear bass and round full notes that smoothly blend together to create a unified harmonic voice. These guitars can work exceptionally well as accompaniment to a voice

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Martin D18 Dreadnought Natural, 2012

  Martin D18 Dreadnought Natural, 2012

The Martin D18 Dreadnought has been one of the staples of the Martin line, and the choice of countless guitarists since its introduction in 1931.  Built with a simple pairing of Sitka Spruce for the top and tropical Mahogany for the sides, back, body blocks and neck, the D-18 also features Ebony for the bridge and fingerboard and Indian Rosewood for the head plate. The top is braced using a forward-shifted X pattern.

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THE TWELFTH FRET

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Toronto, Ontario  M4C 1J9 CANADA
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