Here’s an interesting piece of Canadian musical history – an Allstrummr thinline aluminum body cutway electric by Robert Card who had worked for Lado Music.
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The Taylor T3-B is based on the successful and practical T3 model, adding a Bigsby. This one features a Koa top with abalone binding
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Recalling the Martin D-42, the Eastman E40D-SB takes the classic lines and appointments of the most successful dreadnought designs. The SB denotes a sunburst finish. The top is solid Adirondack Spruce, the back and sides are Indian Rosewood, the neck mahogany and the fingerboard and bridge are ebony. Abalone inlays are used throughout the guitar, on the headstock, fingerboard, and around the top and soundhole.
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The second guitar in the G W Barry 30/12 collection is a 000+ model featuring a Bearclaw Sitka Spruce top and deeply figured Hawaiian Koa back and sides.
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The first guitar featured in the G W Barry 30-12 collection is a stunning Mod-C with a splendid Ziricote back and sides set and a premium Lutz Spruce top.
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Part of the Marquis series, the C. F. Martin 000-27vs is a recreation of a classic Martin guitar from the earlier part of the 20th century. The Martin 000-28vs uses the larger 000 size body, and the 28 material and trim set – Sitka Spruce top, Indian Rosewood back and sides, herringbone binding, mahogany neck with slotted headstock.
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