The Huss & Dalton TDR is, as the name breaks down, a Traditional Dreadnought design with Rosewood for the sides, back, and head plate. This Huss & Dalton NOS TDR Custom is a New Old Stock model but still covered as new! Built in Staunton, Virginia, the Huss & Dalton TDR evokes the best of the traditional Dreadnought design. Extremely well built and finished, the TDR seen here – a Custom version – uses a Thermo-cured Adirondack Spruce top, paired with Indian Rosewood for the sides and back.
Steel String
Part of their Traditional Series, the Collings OM2HT replicates highly sought-after pre-war (WWII) Orchestra Model guitars by way of careful wood selection bracing patterns and appointments. This is one of the best expressions of the OM design available at any price. The Collings OM2HT is sold with its original Collings branded, arched top hard shell case.
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MORE →The Huss & Dalton Crossroads 14 takes cues from the small body flat-top guitars used by many blues players from the 1920s to 1940s, but with more body depth to enhance bass response. This model is also available in a 12-fret version. The 14-fret version is really called the ‘Crossroads’, with the 12-fret being the ‘Crossroads 12’, but it’s easy to confuse the two.
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MORE →Now out of production, the Larrivee LJ15 Rosewood 12 String is based on the Larrivee Jumbo body, with Rosewood for the sides, back and head plate and a Sitka Spruce top. The body blocks and neck are Mahogany with Ebony for the bridge and bound fingerboard. This Larrivee LJ15 Rosewood 12 String dates to March 31, 1992 while Larrivee had their shop in Victoria, British Columbia
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MORE →Here is another rarity for North America – a Maton FG100 /6, built in Victoria, Australia during July of 1986. It is one of the last, if not the last, built when this model was discontinued in 1986. It also has a secondary label from its original seller – Ivor Mairants Musicentre in the London’s West End! Maton guitars are not commonly distributed in North America. One of the best known Maton artists is the great Tommy Emmanuel, and we’re very happy to link to a video of him using a Maton – though not this model.
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MORE →The Godin Multiac Jazz SA is one of the many Multiac variants, here with a highly figured Maple top, chambered Maple and Poplar back, Maple neck, Richlite fingerboard and a range of pickup options including synthesizer output. The Godin Multiac Jazz, like other Multiac models draws from the early 1980’s Gibson Chet Atkins Classical concept – a solid bodied, set-neck guitar with a piezo bridge pickup and preamp set. While Gibson did not pursue this as diligently as they might have, Godin stepped up to produce an excellent, durable and very versatile instrument with a wide range of applications, and very little feedback at stage volumes!
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