Built from 2007 to 2012, the Taylor GA3 served as an entry point to the Grand Auditorium line, pairing a Sitka Spruce for the top and braces, with Sapele for the sides and back.
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The Larrivee L-02 LH is the Left Handed version of the standard L-02, using the classical-derived L body with Spruce top and Mahogany for the back and sides. Jean Larrivee began building classical guitars in the early 1960’s with a significant amount of information from Edgar Monch, the noted German builder who was working in Toronto at the time.
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The Guild JF-30C is a rare bird, built in small numbers during 1988 and 1989 in Westerly, Rhode Island as a cutaway version of the 17 inch jumbo JF-30. A quirk of this example is that the label identifies it as a JC-30. Some non-cutaway JF-30 models were also identified as J-30 on the label.
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Built in a run of 818 guitars from 1987 to 1990, the Martin D-16A is a traditional dreadnought built with Ash for the sides and back. The Dreadnought or D body first appeared in 1917 in guitars built for the Ditson Company of Boston. Martin first listed the D-18 in their catalog in 1931 as a 12-fret model and the 14-fret neck appeared in 1934. It became the single most common guitar size, only in recent years being challenged.
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The Collings MF is a visually simplified yet extremely high quality instrument, based on the classic F style carved top and back mandolins from the early years of the Twentieth Century. Building in Austin, Texas, Collings produces very well built guitars and mandolins, and their nitrocellulose lacquer finish quality is second to none.
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The Collings MT A-Style mandolin is the entry point for Collings mandolins, and its lack of decoration doesn’t hide the quality of the instrument or the care with which it was built. This 2006 model sports a satin finish with the ‘Gloss Top’ option, and an ebony arm-rest. The A-Style mandolin appeared in the closing days of the 19th century as part of Orville Gibson’s revolutionary introduction of violin making principles to mandolin construction.
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