Steel String

Gibson J50 Slope Shoulder Jumbo Guitar Natural, 1953

   Gibson J50 Slope Shoulder Jumbo Guitar Natural, 1953

The Gibson J50 Slope Shouldered jumbo model was introduced in 1947 as an ‘upgrade’ to the successful J-45, with a natural finish showing off the higher quality Spruce top. The J-50 was built until 1982, shifting to a square shoulder body design for 1969, and has been reissued from time to time. This is a relatively early Gibson J50, built during 1953 at the Gibson Parsons Street plant in Kalamazoo, Michigan. Built almost exactly like the iconic J45, this J50 uses Adirondack Spruce for the top and top bracing, with Mahogany for the back, sides, neck, body blocks, linings and back bracing.

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Linda Manzer Cutaway Steel String Guitar Natural 1980

  Linda Manzer Cutaway Steel String Guitar Natural 1980

Here we are looking at a Linda Manzer cutaway steel string acoustic built during 1980 in Toronto. It features a concert body using Sitka Spruce top with Indian Rosewood for the back, sides and headplate, Mahogany for the neck and Ebony for the bridge and bound fingerboard. The nut and saddle are bone. Schaller tuning machines with ebony buttons are installed at the head, and a K&K pickup set has been installed to an endpin jack. This example features Abalone for the rosette and position markers – a mix of dots and a leaflet with stem. The top has a small thin clear plastic tap plate, an excellent idea that protects the top without hiding it.

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Collings SJ Maple, 2012

 Collings SJ Maple, 2012

Here’s a fantastic deal on a Collings SJ Maple in new, old stock, shop worn condition – steeply reduced from its original price and advertised here with permission from Collings! The Collings SJ is built with a Sitka Spruce top paired with Maple for the sides, back, and neck. The bridge, head plate and bound fingerboard are Ebony, with Mother of Pearl used for the position markers, headstock decoration and Collings logo. The top bracing is Sitka Spruce and the body blocks, linings and back bracing are Mahogany. The nut and saddle are bone.

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Jean Larrivee Classical Guitar, 1974

 Jean Larrivee Classical Guitar, 1974

Here we have a Jean Larrivee classical guitar with Cedar top and Indian Rosewood back and sides, built during 1975 at the Toronto shop. At this time, Larrivee and others were working with the late Edgar Monch, who was still in Toronto and the influences are visible on this Hauser style guitar. Jean Larrivee has been one of the more influential Canadian guitar builders. Building his first instruments in his home in Toronto during the late 1960’s, Larrivee worked with and learned from Monch. As his interest, skill and collection of tools and wood increased, he moved to ever-larger quarters and attracted his own trainees.

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Gibson Country Western SJN Acoustic, 1957

 Gibson Country Western SJN Acoustic, 1957

The Gibson Country Western began its life as the SJN, or Southern Jumbo Natural finish, in 1956 and was quickly renamed. The SJ itself first appeared in 1942 and replaced the J-55 built from 1939 to 1942. As one might suspect, this model was targeted towards the Southern American States, especially those south of the Mason-Dixon line.

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THE TWELFTH FRET

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