The Taylor T5z Standard is a scaled-down version of the successful Taylor T5 line and their relationship is much like the one between Gibson’s 335 and 339 models.
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During the 1970s Michael Gurian built many guitars like this Gurian JM, or Jumbo Mahogany guitar, from his factory in Hinsdale, New Hampshire. However a devastating fire in 1979, and the rising tide of synthesizer music forced Gurian to fold in 1981 as far as building guitars was concerned. The Gurian JM or Jumbo Mahogany is a large body guitar, Gurian’s largest, but is more akin to an OM or Classical guitar than a traditional Jumbo steel string like the Gibson J-200. As the name suggests, the JM uses Mahogany for the back, sides and neck, with Sitka Spruce for the top.
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Following in the traditions of American guitar building, the Santa Cruz OM-PW – the PW stands for ‘Pre War’ – delivers vintage style tone and playability. The OM-PW design dates back to the end of the 1920’s when the Martin Guitar Company introduced the Orchestra Model or OM. Very similar to the ‘OOO’ model, the key difference is in the scale length. The OM scale is over 25 inches, usually the same as the Dreadnought models, while the ‘OOO’ scale length is typically around 24.9 inches. Otherwise the bodies are the same.
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The Gibson SJN appeared in 1956 as a natural top version of the successful Southern Jumbo, and had the model name ‘Country Western’. In 1962, square shoulders arrived, and the name was lengthened to ‘SJN Country Western’. The model was discontinued in 1978. This example dates to 1964, with the square shoulders and three-point pickguard. The top is Spruce, with mahogany for the back, sides and fingerboard, with Rosewood for the fingerboard and adjustable bridge.
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This William Laskin 12 string acoustic guitar dates to 1989 and was built in his shop in Toronto, Canada. It features a 16 inch wide non-cutaway body using Sitka Spruce for the top, Indian Rosewood for the back, sides, bridge plate and headplate, with Mahogany for the neck and Ebony for the fingerboard and bridge. The body binding is maple, with grained ivoroid binding for the fingerboard. The nut and saddle are bone, and the tuners are Schaller M6 mini units, enclosed with chrome plating. An under-saddle passive pickup has been installed and is wired directly to an endpin jack. William Laskin is one of the world’s premiere luthiers and is highly respected for his construction and inlay skills, as well as his abilities as a performer and promoter.
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The Martin D41 appeared in 1969 as a midpoint between the standard D-28 and the top of the line D-45 dreadnought models. Here we have a very nice Martin D41 built during 2008 at the Martin plant in Nazareth, Pennsylvania. It has one one small ding in the top but otherwise is in good overall shape. The nitrocellulose lacquer finish is starting to sink, which is to be expected on a guitar now 11 years old.
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