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Gibson Byrdland Venetian Cutaway Archtop Sunburst, 1991

 Gibson Byrdland Venetian Cutaway Archtop Sunburst, 1991

The Gibson Byrdland Florentine Cutaway model has been in production since 1955 though Gibson also offers the original sharp Venetian cutaway. It is based on a thinline version of the classic L5-CES body, but with a short scale length of 23.5 inches, two inches shorter than the L5. The Byrdland was introduced as a custom model for two top Nashville session players, Billy Byrd and Hank Garland.

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Gibson Byrdland Florentine Cutaway Sunburst, 1968

 Gibson Byrdland Florentine Cutaway Sunburst, 1968

The Gibson Byrdland Florentine cutaway model originally had a rounded, ‘Venetian’ cutaway between its introduction in 1955 and 1960, and regained the Venetian cutaway in 1969. Modern Custom Shop ‘reissue’ models are available with either shape, since 1992. The Byrdland had its origins in the requirements of busy working session guitarists – two working session guitarists in particular. Hank Garland and Billy Byrd were two of the top Nashville players throughout the 1950’s.

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Fender Squier JV 1957 Stratocaster Black, 1982

 Fender Squier JV 1957 Stratocaster Black, 1982

Here we haVe a Fender Squier JV 1957 Stratocaster reissue, built during 1982 for Fender Japan by Fuji-Gen Gakki. By the end of the 1970’s Fender, under CBS management, was struggling. Import copies were getting better all the time, which was made very clear to Fender executives touring Japanese factories with a view to doing some production there. At this time, Fender also hired three executives from Yamaha.

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Gibson Les Paul Custom Sunburst, 1979

  Gibson Les Paul Custom Sunburst, 1979

Here we’re looking at a Gibson Les Paul Custom Sunburst, dating to March 27 1979 and still built at the historic Kalamazoo plant. It has all the characteristics of the Norlin ownership era, from 1970 to 1983. These include a Maple neck rather than Mahogany, a decreased pitch for the headstock, and a volute behind the truss rod adjuster cavity. These changes were intended to reduce the number of broken headstocks.

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Gibson ES 150 Archtop Electric Sunburst, 1939

  Gibson ES 150 Archtop Electric Sunburst, 1939

The Gibson ES 150 was one of the earliest production electric guitars, and perhaps the first successful Electric Spanish – as distinct from Electric Hawaiian – guitars. Built from 1936 to 1956, the Gibson ES 150 is full bodied non-cutaway archtop guitar with a solid Spruce top and Mahogany for the back, sides, neck, body blocks and back bracing; the bridge and bound fingerboard are Rosewood, and for the period, it’s expected that the ‘Brazilian’ is silent. Brazilian Rosewood has become exotic and restricted, but at the time it was very common.

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G&L ASAT Solidbody Electric Sunburst, 2002

  G&L ASAT Solidbody Electric Sunburst, 2002

Taking very clear cues from the classic and proven 1950’s designs, the G&L ASAT looks like an ‘improved’ Telecaster. Notably, the ‘Hard Tail’ bridge addresses a number of vibration issues by adding a set screw to the treble side of the bridge housing. This set screw pushes against the saddles, so that once the saddles are properly adjusted, they lock in place. As well, the larger single coil ‘MFD’ or ‘Modified Field Design’ pickups are Leo’s design, combing ceramic under-coil magnets with soft iron adjustable magnets for each string.

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2132 Danforth Avenue
Toronto, Ontario  M4C 1J9 CANADA
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